Read an excerpt from Good Guys by Mindy Misener

Read an excerpt from Good Guys by Mindy Misener

The following is an excerpt from Good Guys by Mindy Misener. She grew up in Maine and graduated from Williams College and the University of Michigan’s Helen Zell Writers’ Program. After teaching college writing for ten years, she enrolled in Yale Divinity School. Her prose has appeared in The Missouri Review, The Common, Image, and other publications.

Good Guys follows Georgie and Jo, two estranged sisters living in a small New England town in 2008. When Gary Clemmons, a celebrated hometown hero and the brother of Georgie’s secret girlfriend, dies in the Iraq War, Georgie discovers a disturbing secret about his past. As the sisters become entangled in the fallout, their family and community are forced to confront the darker sides of patriotism, masculinity, and religious devotion. It is available now from Melville House.

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See the cover for Steelhead by Colby Cotton

See the cover for Steelhead by Colby Cotton

Colby Cotton’s debut poetry collection, Steelhead, is a meditation on grief, loneliness, and the lasting impact of loss. Written in the aftermath of a childhood friend’s death by suicide, the collection moves through dreamlike landscapes where the boundaries between life and the afterlife blur, exploring the search for a home we can never truly return to.

It will be released by University of Pittsburgh Press on February 16, 2027, and is available for pre-order now.

Cotton is a former Wallace Stegner Fellow at Stanford University whose work has appeared in Ploughshares, Prairie Schooner, The Iowa Review, and elsewhere. Originally from New York, he now lives in Los Angeles.

Debutiful is honored to reveal the cover of Steelhead, designed by Alex Wolfe and featuring photography by Francisco Gonzalez Camacho. Below, Cotton discusses the rural landscapes that shaped his poems, the photograph that immediately resonated with him, and how a simple ripple in water captures the collection’s exploration of grief, memory, and mortality.

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Franny Choi’s We Radiant Things Asks Who Gets to Be Human

Franny Choi’s We Radiant Things Asks Who Gets to Be Human

In her essay collection, We Radiant Things: Notes on Being Alien and Becoming Cyborg, Franny Choi interrogates the common metaphor that likens Asians to robots, exploring how this trope has impacted her life, her identity, and even her experience of pleasure. By critiquing cultural touchstones from Terminator 2 and Battlestar Galactica to The Flaming Lips and beyond, Choi grapples with what makes us human and how to envision a better world without repeating the mistakes of the past.

I spoke with the writer over Zoom. We talked about how they balance social justice organizing with the demands of their day job, the value of dissociation, the transition from writing poetry to nonfiction, and why we all need to be very specific in our opposition to AI.

This conversation has been edited and condensed for clarity.

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Rebecca Perry might not have written her Booker-shortlisted novel if it weren’t for Percival Everett

Rebecca Perry might not have written her Booker-shortlisted novel if it weren’t for Percival Everett

A debut novel that’s shortlisted for the Booker Prize is a rare coup: with May We Feed the King, Rebecca Perry finds herself in the company of Arundhati Roy (The God of Small Things), Avni Doshi (Burnt Sugar), and Douglas Stuart (Shuggie Bain). But it’s a well-established nominee who she credits with inspiring her novel. Reading Percival Everett’s The Trees, which she describes as “batshit” in the best of ways, showed her it was possible to write the kind of genre-bending book she aspired to. 

With May We Feed the King, Perry works in historical fiction but questions memory, research, and truth. A curator is commissioned to arrange rooms for the 750th anniversary of a palace. She avoids looking at her own past by becoming lost in the mysterious legacy of a medieval king. When the anniversary celebration begins, she implores visitors to consider history elastic and make their own meaning from the artifacts in the rooms.

Genre isn’t the only literary norm Perry played with. We connected via email about her choices with plot, white space, and writing in the bath.

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See the cover for Welcome Home, Stranger by Yoojin Grace Wuertz

See the cover for Welcome Home, Stranger by Yoojin Grace Wuertz

Yoojin Grace Wuertz’s Welcome Home, Stranger is a YA novel about family, identity, and the complicated bond between two second cousins raised worlds apart. Yeji grew up in North Korea, while Ellie grew up in North Jersey, and when the two live together in Leonia for a year, they must navigate the histories, expectations, and cultural differences shaping their shared family.

Wuertz is the author of Everything Belongs to Us. Welcome Home, Stranger will be published by Farrar, Straus and Giroux Books for Young Readers on May 25, 2027.

Debutiful is honored to reveal the cover of Welcome Home, Stranger, illustrated by Mozza with art direction by Aurora Parlagreco. Below, Wuertz discusses the cover’s layered depiction of Yeji and Ellie, its play with scale and cultural artifacts, and how the final design captures both the friction and intimacy at the heart of the novel.

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Carrie Lee South on writing terror for her novel In the Woods They Wait

Carrie Lee South on writing terror for her novel In the Woods They Wait

Carrie Lee South’s In the Woods They Wait is a suspenseful novel with horror elements, astute prose, and emotional heft. The book opens in 2004 when Audrey Figg is a teenager tasked with watching her younger brother. He disappears into the woods of Devil’s Den State Park within the Ozark Mountains. Fifteen years later, Audrey is a park ranger in the same woods, and a little girl goes missing, echoing her brother’s disappearance. 

The author drew on her own sibling loss to imbue the book with the complexity of grief and the terror of loss. It is a suspenseful novel with line-level precision. South’s description of setting is also forceful, and the natural world is a presence throughout her debut novel. 

I spoke via email with South about writing suspense and twists, her own connection to the Ozarks, and the influences that informed her horror novel In the Woods They Wait.

This interview has been edited and condensed for clarity.

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Five Novels that Use Time Jumps to Advance the Plot, Recommended by Madeleine Moss

Five Novels that Use Time Jumps to Advance the Plot, Recommended by Madeleine Moss

How can you make ordinary life feel resonant enough to function as literature? One of the ways is to structure it well. Time jumps—whether they be quick sneak-peeks into the future, as Muriel Spark does, or dramatic jumps of several years, as in Henry James’ work—can give resonance to a work of seemingly straightforward literary fiction. For this list, I’m not talking about books that include time travel, but rather novels that are interested in using “sleights of time” to make ordinary stories feel both dramatic and satisfying.

In my debut novel, Mistranslation, I employ several large time jumps in the narrative. By including a childhood section, a teenage section, and an adult section, I hope to infuse energy into the narrative at each jump and also to place certain moments in the lives of my characters in closer proximity to each other. In childhood, my main character Sabina meets Khalil—the boy who’s moved in across the street—and notices that he has popsicle juice staining his mouth. Their meeting is confrontational. In adolescence, during another pivotal moment, a drink has stained his mouth and it reminds her of something, although she can’t say what. By placing these two ordinary moments close together, I hope to create something that feels meaningful—in other words, that feels like plot.

Below, I’ll recommend five character-driven novels that use time jumps in innovative ways.

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Seven Writers to Read After Helen Garner, recommended by Leah De Forest

Seven Writers to Read After Helen Garner, recommended by Leah De Forest

It’s a funny thing, teaching writing in a country I didn’t grow up in: I’ve shucked off some identity markers (few in Boston can place the mid-sized-town-outside-of-Melbourne in my accent, for example), and I’m keenly aware of the culture that raised me. Much of what I read as a child was British: The Magic Faraway Tree and The Tale of Peter Rabbit (the foliage in those illustrations was so green). At university I read some Australian classics and many more British and American books. I still own a cinder-brick sized copy of The American Tradition in Literature, though until relatively recently I’d managed to avoid Huck Finn and The Great Gatsby. Don’t judge.

You all missed out on some gems, though. In high school, I loved Ruth Park’s Playing Beatie Bow, about a Sydney teen who travels back in time; and at university and through adulthood, I read the work of writers like Elizabeth Jolley, Hazel Rowley, Christina Stead, and Helen Garner (now well known outside of Australia). 

These voices helped me develop my own. Now, to mark the publication of my debut novel, Any Kind of Known Tomorrow, I have the great good fortune to be telling you about seven contemporary Australian writers, women whose work is part of the tradition that raised me. Each in their way—in the language, the attitude of the characters, the shape of the landscape—these books feel like home.

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Ankur Thakkar Reads for Voice, Structure, and Reinvention

Ankur Thakkar’s Blow Yourself Up follows Arjun and Payal, two high school sweethearts whose lives diverge as the internet transforms around them. While Payal rises through New York’s influencer economy, Arjun finds himself moderating the darkest corners of the same social media platform. Spanning eight years, the novel explores creative ambition, identity, love, and what we sacrifice in the endless pursuit of being seen.

Thakkar is a writer and multimedia artist whose stories have appeared in Guernica, PANK, and TriQuarterly. A 2025 Sewanee Writers’ Conference Scholar, he has also exhibited artwork at the Palais de Tokyo and La Friche la Belle de Mai.

For My Reading Life, Thakkar spoke with Debutiful about discovering The Mahabharata as a child, the novel that inspired him to begin writing Blow Yourself Up, and the diasporic writers who helped shape his work.

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Inside the Collection: Karishma Jobanputra dissects The Body of the Thing

Inside the Collection: Karishma Jobanputra dissects The Body of the Thing

What makes a great short story collection? In Debutiful’s latest Q&A series, Inside the Collection, short story writers will take readers through their writing, editing, and sequencing of their debut short story collection.

In The Body of the Thing, Karishma Jobanputra delivers a lyrical and visceral collection exploring the hierarchies that shape women’s relationships with their bodies and with one another. Moving from first loves and sexual awakenings to motherhood, miscarriage, illness, caregiving, and death, the stories examine what happens when women’s bodies are desired for their beauty and youth, dismissed when they become ill, or valued for what they can provide to others. Set across Manhattan, Italy, coastal Maine, and London, The Body of the Thing is a fluid, sensual, and fearless examination of what it means to look at and live in the female body, in all its complicated realities and wonders. Jobanputra is a British-Indian writer based in London and a graduate of Columbia University’s MFA Fiction program. Her work has been listed for the Brick Lane Short Story Prize and the Disquiet Literary Prize for Fiction. The Body of the Thing is her first book.

In our latest Inside the Collection Q&A, Jobanputra takes readers inside her debut short story collection, The Body of the Thing.

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