Carrie Lee South on writing terror for her novel In the Woods They Wait

Carrie Lee South on writing terror for her novel In the Woods They Wait

Carrie Lee South’s In the Woods They Wait is a suspenseful novel with horror elements, astute prose, and emotional heft. The book opens in 2004 when Audrey Figg is a teenager tasked with watching her younger brother. He disappears into the woods of Devil’s Den State Park within the Ozark Mountains. Fifteen years later, Audrey is a park ranger in the same woods, and a little girl goes missing, echoing her brother’s disappearance. 

The author drew on her own sibling loss to imbue the book with the complexity of grief and the terror of loss. It is a suspenseful novel with line-level precision. South’s description of setting is also forceful, and the natural world is a presence throughout her debut novel. 

I spoke via email with South about writing suspense and twists, her own connection to the Ozarks, and the influences that informed her horror novel In the Woods They Wait.

This interview has been edited and condensed for clarity.

Continue reading “Carrie Lee South on writing terror for her novel In the Woods They Wait” →

Five Novels that Use Time Jumps to Advance the Plot, Recommended by Madeleine Moss

Five Novels that Use Time Jumps to Advance the Plot, Recommended by Madeleine Moss

How can you make ordinary life feel resonant enough to function as literature? One of the ways is to structure it well. Time jumps—whether they be quick sneak-peeks into the future, as Muriel Spark does, or dramatic jumps of several years, as in Henry James’ work—can give resonance to a work of seemingly straightforward literary fiction. For this list, I’m not talking about books that include time travel, but rather novels that are interested in using “sleights of time” to make ordinary stories feel both dramatic and satisfying.

In my debut novel, Mistranslation, I employ several large time jumps in the narrative. By including a childhood section, a teenage section, and an adult section, I hope to infuse energy into the narrative at each jump and also to place certain moments in the lives of my characters in closer proximity to each other. In childhood, my main character Sabina meets Khalil—the boy who’s moved in across the street—and notices that he has popsicle juice staining his mouth. Their meeting is confrontational. In adolescence, during another pivotal moment, a drink has stained his mouth and it reminds her of something, although she can’t say what. By placing these two ordinary moments close together, I hope to create something that feels meaningful—in other words, that feels like plot.

Below, I’ll recommend five character-driven novels that use time jumps in innovative ways.

Continue reading “Five Novels that Use Time Jumps to Advance the Plot, Recommended by Madeleine Moss” →

Seven Writers to Read After Helen Garner, recommended by Leah De Forest

Seven Writers to Read After Helen Garner, recommended by Leah De Forest

It’s a funny thing, teaching writing in a country I didn’t grow up in: I’ve shucked off some identity markers (few in Boston can place the mid-sized-town-outside-of-Melbourne in my accent, for example), and I’m keenly aware of the culture that raised me. Much of what I read as a child was British: The Magic Faraway Tree and The Tale of Peter Rabbit (the foliage in those illustrations was so green). At university I read some Australian classics and many more British and American books. I still own a cinder-brick sized copy of The American Tradition in Literature, though until relatively recently I’d managed to avoid Huck Finn and The Great Gatsby. Don’t judge.

You all missed out on some gems, though. In high school, I loved Ruth Park’s Playing Beatie Bow, about a Sydney teen who travels back in time; and at university and through adulthood, I read the work of writers like Elizabeth Jolley, Hazel Rowley, Christina Stead, and Helen Garner (now well known outside of Australia). 

These voices helped me develop my own. Now, to mark the publication of my debut novel, Any Kind of Known Tomorrow, I have the great good fortune to be telling you about seven contemporary Australian writers, women whose work is part of the tradition that raised me. Each in their way—in the language, the attitude of the characters, the shape of the landscape—these books feel like home.

Continue reading “Seven Writers to Read After Helen Garner, recommended by Leah De Forest” →

Ankur Thakkar Reads for Voice, Structure, and Reinvention

Ankur Thakkar’s Blow Yourself Up follows Arjun and Payal, two high school sweethearts whose lives diverge as the internet transforms around them. While Payal rises through New York’s influencer economy, Arjun finds himself moderating the darkest corners of the same social media platform. Spanning eight years, the novel explores creative ambition, identity, love, and what we sacrifice in the endless pursuit of being seen.

Thakkar is a writer and multimedia artist whose stories have appeared in Guernica, PANK, and TriQuarterly. A 2025 Sewanee Writers’ Conference Scholar, he has also exhibited artwork at the Palais de Tokyo and La Friche la Belle de Mai.

For My Reading Life, Thakkar spoke with Debutiful about discovering The Mahabharata as a child, the novel that inspired him to begin writing Blow Yourself Up, and the diasporic writers who helped shape his work.

Continue reading “Ankur Thakkar Reads for Voice, Structure, and Reinvention” →

Inside the Collection: Karishma Jobanputra dissects The Body of the Thing

Inside the Collection: Karishma Jobanputra dissects The Body of the Thing

What makes a great short story collection? In Debutiful’s latest Q&A series, Inside the Collection, short story writers will take readers through their writing, editing, and sequencing of their debut short story collection.

In The Body of the Thing, Karishma Jobanputra delivers a lyrical and visceral collection exploring the hierarchies that shape women’s relationships with their bodies and with one another. Moving from first loves and sexual awakenings to motherhood, miscarriage, illness, caregiving, and death, the stories examine what happens when women’s bodies are desired for their beauty and youth, dismissed when they become ill, or valued for what they can provide to others. Set across Manhattan, Italy, coastal Maine, and London, The Body of the Thing is a fluid, sensual, and fearless examination of what it means to look at and live in the female body, in all its complicated realities and wonders. Jobanputra is a British-Indian writer based in London and a graduate of Columbia University’s MFA Fiction program. Her work has been listed for the Brick Lane Short Story Prize and the Disquiet Literary Prize for Fiction. The Body of the Thing is her first book.

In our latest Inside the Collection Q&A, Jobanputra takes readers inside her debut short story collection, The Body of the Thing.

Continue reading “Inside the Collection: Karishma Jobanputra dissects The Body of the Thing” →

See the cover for Side Streams by Yasmin Adele Majeed

See the cover for Side Streams by Yasmin Adele Majeed

Yasmin Adele Majeed’s debut novel, Side Streams, is a polyphonic story about family secrets, queer identity, art, and the silences passed between generations. Growing up between her mother’s Filipino American roots and her father’s tight-knit Pakistani American community in the Bay Area, Aliya Amjad becomes fascinated by the mysteries her mother refuses to explain, including an art installation dedicated to an unknown woman. Decades later, Aliya reconnects with her childhood friend Samir, and together they begin untangling the secrets their parents kept and questioning whether silence protected their families or simply kept them apart.

Majeed is a graduate of the Iowa Writers’ Workshop and a winner of the PEN/Robert J. Dau Short Story Prize and American Short(er) Fiction Prize. Her fiction has appeared in The Best American Short Stories 2025, Narrative, Guernica, and Joyland, among others.

Side Streams will be published by Little, Brown on March 30, 2027.

Debutiful is honored to reveal the cover of Side Streams, designed by Grace Han with art direction by Keith Hayes. Below, Majeed discusses wanting a cover grounded in the California Bay Area, the Diego Rivera mural that helped inspire the novel, and how the final design captures the beauty, friction, and wonder of trying to turn an artistic vision into something tangible.

Continue reading “See the cover for Side Streams by Yasmin Adele Majeed” →

Nadia Bowers on Bringing Her Sister Back to Life in Dear Dealer

Nadia Bowers on Bringing Her Sister Back to Life in Dear Dealer

Dear Dealer by Nadia Bowers is an unflinchingly honest, wholly unique portrait of a sister left behind, charting the messy unraveling of a loved one’s addiction and the complicated search for acceptance in the aftermath. In the summer of 2015, Bowers’s beloved older sister, Sasha—an Ivy League-educated social worker—was found dead in her car from a fentanyl overdose. Stricken with grief and just weeks from giving birth to her first child, Bowers armed herself with Sasha’s cell phone and began to investigate her sister’s secret life to answer the nagging questions she couldn’t shake: Who sold Sasha the drugs that killed her? How did they know each other? Did the dealer really know Sasha in the way she deserved to be known?

Part epistolary, part mystery, part family history, part love letter, part diary, and part personal reinvention, Dear Dealer is an unputdownable homage to her sister and a reckoning with the steep cost of addiction and the way tremendous loss remodels one’s sense of self. 

I spoke with Bowers about her evolution from private writer to published author, avenging her sister’s death the best way she knew how, and what she’s learned from the processes of writing, publishing, and living the ending in real-time. 

Continue reading “Nadia Bowers on Bringing Her Sister Back to Life in Dear Dealer” →

See the cover for The Ninth Island by Andrew Chi Keong Yim

See the cover for The Ninth Island by Andrew Chi Keong Yim

Andrew Chi Keong Yim’s The Ninth Island is a poetry collection about displacement, inheritance, and the search for home, following his family from Hawaiʻi to Las Vegas while reaching across generations to his Chinese American great-grandmother.

Yim is a poet and teacher whose work explores family, place, and the forces that shape Hawaiʻi and its diaspora. The Ninth Island will be published by the University of Pittsburgh Press on February 9, 2027.

Debutiful is honored to reveal the cover of The Ninth Island, designed by Alex Wolfe with photography by Patrick Nevada. Below, Yim discusses images of Hawaiʻi, Las Vegas’s culture of facsimile, and how an empty pair of car seats came to capture the book’s themes of absence, longing, and displacement.

Continue reading “See the cover for The Ninth Island by Andrew Chi Keong Yim” →

Announcing the 2026 Poets & Writers Get the Word Out Fiction Cohort

Announcing the 2026 Poets & Writers Get the Word Out Fiction Cohort

Poets & Writers has announced the Fall 2026 fiction cohort for Get the Word Out, a publicity incubator for early-career writers. The program gives selected writers the chance to work with an experienced book publicist who will guide them in leveraging the opportunity of their first or second major book publication.

Continue reading “Announcing the 2026 Poets & Writers Get the Word Out Fiction Cohort” →

Catching Up With Ariel Delgado Dixon, author of Sourland

Catching Up With Ariel Delgado Dixon, author of Sourland

What happens after your debut book is published? Would you do anything different for your second novel?

These are the questions I so often want to ask debut authors but never get the chance to unless I bump into them at an event or we cross paths in DMs on social media.

So, Debutiful’s launching a new Q&A to catch up with some of our favorite debuts as they launch and promote their next books.

First up is Ariel Delgado Dixon, whose first book, Don’t Say We Didn’t Warn You, was a Debut Debut Book of 2022. Her sophomore book, Sourland, came out in June 2026, and I caught up with her via email for this new series.

Sourland is about two women battling for control of a Northern California farm after its enigmatic owner suddenly disappears, forcing them to confront old rivalries, buried secrets, and the lingering influence of the woman who brought them together.

Continue reading “Catching Up With Ariel Delgado Dixon, author of Sourland” →