How ‘Are You My Mother?’ Followed Leslie Bazzett All the Way to ‘Mia’

How ‘Are You My Mother?’ Followed Leslie Bazzett All the Way to ‘Mia’

Leslie Bazzett is a writer whose fiction has appeared in New England Review, Virginia Quarterly Review, Carolina Quarterly, West Branch, and elsewhere. A finalist for a Rona Jaffe Award and recipient of the NER Award for Emerging Writers, she now makes her debut with Mia, a stylish, unsettling work of psychological suspense about reinvention, obsession, and the dangerous allure of becoming someone else.

Set in San Miguel de Allende, Mia follows Sally, an American living in Mexico for a year with her husband and children, after she falls under the spell of Louise, a glamorous and severe older expat. What begins as an intense friendship takes a stranger turn when Louise starts calling Sally “Mia” and introducing her as her daughter. As Sally embraces the possibility of a new identity while hiding the relationship from her husband, the boundaries between performance and reality begin to collapse, turning the novel into a twisted exploration of mothers and daughters, self-invention, and the stories we tell about ourselves.

We asked Bazzett to answer our recurring My Reading Life Q&A so readers can get to know the books that shaped her life and influenced her writing.

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Five Novels Written by Women Featuring Feminine Rage, recommended by Isabelle Spotts

Five Novels Written by Women Featuring Feminine Rage, recommended by Isabelle Spotts

Feminine rage is a hot term as of late. While it may seem like a timely publishing trend, there’s nothing new or trendy about the concept—except perhaps the prevalence of novels continuing to explore the topic, for which I am very grateful. The brutality of the female experience—the undoing and eventual reclamation of women who have been figuratively crushed under societal pressures, or who face literal harm simply for existing and then respond in kind—is as evergreen as the struggles themselves. My debut novel, Saint Delilah, has a strong dose of female rage. It’s a good for her revenge story that follows a young woman who was tragically murdered by a man who believed a girl like her would never be missed. Delilah returns as a ghost to reclaim what is rightfully hers—an afterlife—and the story does not shy away from the very real danger of being a woman subject to the male gaze. Here are five novels that tell the stories of women who refuse to back down, who go a little rightfully crazy, and who find themselves enraged.

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Rebecca Wright Stevens on true crime, violence against Indigenous women, and the nonstop daylight of Alaskan summers

Rebecca Wright Stevens on true crime, violence against Indigenous women, and the nonstop daylight of Alaskan summers

In Sisters of the Midnight Sun, Rebecca Wright Stevens has crafted a compelling nonfiction story about the real-life double homicide of two sisters within the Alaskan Iñupiat community. Drawing on her experience as a public defender assigned to one murder suspect, the book is a portrait of a community affected by violence against Native women. The book weaves together personal moments in Stevens’ life with specifics of her work on the murder case. 

Sisters of the Midnight Sun is both a gripping crime narrative and a self-portrait (Stevens declares herself an outsider.) Her descriptions are sharp and vivid throughout. And her depiction of setting is compelling, from courtroom scenes to the Alaskan landscape. The book’s title nods to how the sun can stay out for 24 hours in northern Alaskan summers. Stevens describes it as a “sun so bright it made your eyes wince until you could get behind blackout curtains and hide.” Stevens has written a book that is singular and unflinching.

We spoke via email with Stevens about the years she spent writing Sisters of the Midnight Sun, her inspirations, and the difficulty of placing a book that blends genres. 

This interview has been edited and condensed for clarity.

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See the cover of The Vanishing Act by Eoin Connolly

See the cover of The Vanishing Act by Eoin Connolly

The Vanishing Act, the debut novel by Eoin Connolly, follows Colm, an anxious and isolated copywriter whose days are spent scrolling through his phone, worrying about climate catastrophe, and sharing takeout with his inexplicably talking cat, Gazdanov. After watching the foreign minister of Tuvalu deliver a press conference while standing knee-deep in rising ocean water, Colm becomes consumed by the idea of reducing his own burden on the planet and decides to disappear—first from the internet and then, increasingly, from the world itself. Both apocalyptic satire and tragicomedy, the novel explores climate anxiety, digital overload, loneliness, and the increasingly desperate ways we try to make sense of a world in crisis.

The Vanishing Act will be published on February 23, 2027, by Catapult and is available for preorder now.

Eoin Connolly is an Irish writer based in Lisbon and a recipient of a Literature Bursary Award from the Arts Council of Ireland. His short stories have appeared in Alaska Quarterly Review, BOMB, and elsewhere.

Debutiful is honored to reveal the cover of The Vanishing Act, designed by Victoria Maxfield with art direction by Nicole Caputo, along with a Q&A with Connolly about its creation.

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When Harry Met Sally Met Marguerite Duras: Inside the Mind of Annie Lord, Author of The Project

When Harry Met Sally Met Marguerite Duras: Inside the Mind of Annie Lord, Author of The Project

Annie Lord has served as British Vogue’s dating columnist and previously wrote a darkly comic memoir about the demise of her five-year relationship. So it’s no surprise that she knows all the romcom tropes and subverts them with aplomb in her fiction debut The Project. The novel reads as a modern Pygmalion in reverse, with best friends Daisy and Maya pledging to emotionally, culturally, and stylistically make-over their laddy friend James. It’s all too easy to connect with these funny, flawed characters—likewise with Lord, even over email and across six time zones. Her responses to my questions—covering everything from her favorite Marguerite Duras quote to how to write a good bad sex scene—were candid and charming. No doubt she’d make a great romcom heroine.

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Devyn Defoe on Burnside, Lemony Snicket, and Writing the End Times

Devyn Defoe on Burnside, Lemony Snicket, and Writing the End Times

In Burnside, Devyn Defoe paints an end-of-days portrait of two young women in California that manages to make you laugh, break your heart, and double-check that you’re actually awake and not in some absurdist hallucination. Referred to as a “signature chronicle of our American endtimes” by author Chang-rae Lee, Defoe’s unforgettable characters navigate patriarchy, climate crises, and a whole host of issues for which we can thank late-stage capitalism. 

I sat down with Devyn Defoe to discuss how Burnside came to be, the enduring influence of Lemony Snicket, and the endless rewards of bookselling. 

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Stacey Yu on Love, Magic, and Coming of Age in New York City

Stacey Yu on Love, Magic, and Coming of Age in New York City

Kitten by Stacey Yu, one of Debutiful’s Most Anticipated Debut Books, follows protagonist Katie, who is fresh out of university and desperate not to enter the adult world quite yet. When she goes to the Hamptons with her boyfriend James, she becomes instantly enamored with his cat Silver. 

Across Katie’s dynamics with James and Silver, we understand the wound of her upbringing: her enmeshment with her mother, her anxious attachment, and her tendency to seek what is familiar over what is healthy or good. In Silver, she sees the potential for the eternal and pure childhood that she so craves, but she also knows that this desire is impossible.

Katie wants to be both left alone and folded into the world. She wants to be free of responsibility but she also wants to have purpose and grounding. Ultimately, she has to set herself (and Silver) free from these impossible oppositions, and choose a path forward. 

Stacey and I spoke about how this tender coming-of-age novel came to be, and the redemptive quality of small, simple choices. The conversation below has been edited and condensed for clarity.

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Leila Renee was shaped by Toni Morrison, Goosebumps, and The Phantom Tollbooth

Leila Renee was shaped by Toni Morrison, Goosebumps, and The Phantom Tollbooth

Leila Renee is a writer whose fiction has appeared in McSweeney’s, The Kenyon Review, and elsewhere. A recipient of the Gulf Coast Prize in Fiction and a Fulbright Award, and an MFA graduate of Syracuse University, she now makes her debut with Soft Spots, a darkly funny, emotionally incisive novel about family estrangement, obsession, and the difficult work of forgiveness.

Soft Spots follows recent college graduate Robin Clarke after she flees her abusive family for a teaching job in South Bend, Indiana. As Robin becomes increasingly consumed by her dysfunctional school, her seemingly perfect roommate, and the possibility of reconciliation with her ailing father, the novel explores memory, self-sabotage, and the stories we tell ourselves to survive.

We asked Renee to answer our recurring My Reading Life Q&A so readers can get to know the books that shaped her life and influenced her writing.

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Inside the Collection: Emily Doyle dissects Please Don’t Touch the Body

Inside the Collection: Emily Doyle dissects Please Don’t Touch the Body

What makes a great short story collection? In Debutiful’s latest Q&A series, Inside the Collection, short story writers will take readers through their writing, editing, and sequencing of their debut short story collection.

In Please Don’t Touch the Body, Emily Doyle delivers eleven inventive, genre-bending stories that explore the vulnerabilities, contradictions, and strange absurdities of modern life. Moving effortlessly between the surreal and the deeply human, the collection follows characters searching for agency, intimacy, and belonging—from a woman reclaiming herself through an anonymous advice column to Ronald Reagan reincarnated as a puppy and a young woman untangling the expectations of her religious upbringing from her own desires. By turns funny, unsettling, and emotionally resonant, Please Don’t Touch the Body announces Doyle as a fearless new voice in contemporary fiction. Doyle is also the author of the forthcoming novel Encounter. Her work has appeared in Ploughshares, Kenyon Review, The Sun, and elsewhere, and she has received numerous honors, including the Abraham Lincoln Polonsky Endowed Award and the Bread Loaf–Rona Jaffe Foundation Participant Scholarship. She lives in Los Angeles and teaches at UC Riverside.

In our latest Inside the Collection Q&A, Doyle takes readers inside her debut short story collection, Please Don’t Touch the Body.

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