7 Poetry Books for Your Hot & Heartbroken Girl/Boy/Nonbinary Autumn, Recommended by Jim Whiteside

7 Poetry Books for Your Hot & Heartbroken Girl/Boy/Nonbinary Autumn, Recommended by Jim Whiteside

The leaves are changing colors and the leaves are everywhere. I work at a café in Brooklyn’s Cobble Hill neighborhood, and by mid-morning the leaves have blown in and filled the entryway. I sweep them up into a dustpan. I resist the urge to return them outside to blow around again and go elsewhere. I place them in the trashcan.

Autumn is my season of looking backwards and forwards. The year is coming to an end and I feel reflective about what I have and haven’t accomplished during it so far. I consider how I’ve grown, or if I’ve grown, as a person and as a poet. My birthday is also in autumn, in November, which makes it a time to look forward to where I’m going. My book, Another Man, will also be published in the fall, which means my life as a poet is also due to change and grow as that book makes its way into the world. Another Man is full of memories – memories of childhood, of my father, of my family and my becoming the adult I am today. It looks to the past but also cherishes the opportunity to have a future. Where are we going, what will our lives look like, now that we’ve learned to grieve?

Still, as the days get shorter and there’s an increasing nip in the air, I yearn for the spring I didn’t fully celebrate, the summer I could’ve enjoyed more fully. I mull over the past, think about people I’ve loved or left behind. As I write this, I’m wearing an old pair of athletic shorts I stole from my ex-boyfriend. The elastic is a little worn out. I think of him when I put them on. All of this is to say, I hold on to things a little too much, too willingly. Perhaps that’s why I write poems, this sense of holding on. Here are a few of my favorite books – some queer, some not-so-queer – you might want to carry with you through this season of in-betweenness.

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Reality Rewritten: Ten Books About Shaping Our Own Worlds, Recommended by Gus Krieger

Reality Rewritten: Ten Books About Shaping Our Own Worlds, Recommended by Gus Krieger

I wrote the first draft of my debut hardcover, The Seventh Ribbon, during 2020’s quarantine, when we all wished we had a little more control over things. The fact that this novel involved literally rewriting one’s own reality was – strictly speaking – a coincidence, as I’d mulled the idea for years, but the timing still proved quite providential.

As other authors have played in similar sandboxes over the years, I am pleased to present ten personally beloved tomes about people living in worlds of their own creation, both literally and metaphorically, for better and for worse.

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The Debut Horror Novels of 2026 You Can’t Miss

The Debut Horror Novels of 2026 You Can’t Miss

Horror is having a moment. Maybe it always has been, but now it’s creeping into the literary mainstream. Genres have bled into one another, and writers are doing incredibly exciting things.

Horror isn’t just Stephen King anymore. It’s not even just Stephen Graham Jones. Horror is slasher, haunted house, gothic, monsters, body, and atmosphere. Writers in the horror genre are doing things better than ever. They’re expanding what the genre is.

Here are 20 debuts from 2026 you should read if you’re a horror fan. Some are classic horror, and some are a little more subtle, where people will scream, “that’s not horror!” on their social media. But it is horror. That’s the beauty of the genre.

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7 Gothic Books That Go Beyond Ghosts and Graveyards

7 Gothic Books That Go Beyond Ghosts and Graveyards

I was surprised when my astute editor at Bloomsbury Publishing suggested that my debut novel, Wither, could be called “gothic.” The book contains no ghosts, no castles, not even a graveyard—at least not in the traditional sense. Not one dang ghoul. I threw my chair and began to shriek in protest, but then considered a more modern sense of the gothic label, one that emphasizes atmosphere over story elements: lingering dread, inescapable past, bleak landscape, the possibility of the supernatural, and the existential crisis sparked by this unnatural encounter.

I abruptly stopped sobbing, righted my chair and gave a thumbs-up.

Everything that I treasure about horror is reflected in gothic literature. The awe and terror of the unknown, the thrill of impending doom, grazing the veil between the known and unknowable—this I find far more compelling than blood and guts. And the patience displayed in great gothic stories recognizes the pleasure of mystery, rather than its resolution.

Some of the books below might not typically come up in a discussion of Gothic literature, but all contain some elements or atmosphere that seat them in the good company of great Gothic stories.

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Five Books That Are “Good for Her” – Recommended by Mathilda Zeller

Five Books That Are “Good for Her” – Recommended by Mathilda Zeller

Do you ever have a particular vibe you just love in art and media, and then realize that there’s a common throughline for why you love these particular songs, stories, artworks?

If, like me, you enjoyed Cinderella as a child, and Knives Out as an adult, if Stephen King’s Carrie and Roald Dahl’s Mathilda struck a cord with you, and if Artemisia Gentileschi’s painting Judith Slaying Holofernes speaks to your soul, it might just be that you enjoy stories that are Good for Her.

What began with a gif from a television show (a woman responding to news about a mother driving herself and young children into a lake with “good for her!”) and a Tweet (@cinematogxphy’s post about the Good for her Cinematic Universe) has become a shorthand way to describe a certain storytelling form.

There is a lot of discourse about what defines a Good for Her story, but the definition I most appreciate suggests that this kind of narrative:

  1. Features a female/ femme protagonist who
  2. Lives in a systemically unjust society (usually patriarchal), and
  3. Is personally harmed by the outrageous injustices of that society, and
  4. Overcomes this harm/ injustice by playing not by the rules of society, but by her own rules.
  5. There must be a major catharsis for both the audience and the heroine, and
  6. The heroine cannot feel sorry for winning. She also cannot feel sorry for how she’s won.
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6 Appalachian Books that Explore Mental Illness, Recommended by Erin Miller Reid

6 Appalachian Books that Explore Mental Illness, Recommended by Erin Miller Reid

For me, creeks are thin places, where the barrier between the physical world and the spiritual world attenuates, where the boundaries between god, ghost, and human disappear and the tethers between past, present, and future blur. Creeks: the clear tinkling sound of water rippling forward, hidden worlds under smooth, wet stones, ancient watering holes. Creeks: the ever-present threat of flood with each storm, the potential to drown a town after a night of heavy rainfall. The Appalachian Mountains are filled with creeks winding their way through the mossy beds of forests, through cow pastures and tobacco fields, through backyards, and behind strip malls in a dualistic path of peace and threat. 

I’d posit that Appalachian creeks are a metaphor for mental health—introspection and outward projection in precarious balance, inner peace and chaos in limbo, a yin and yang of the physical self and the spiritual. My novel, But For Fortune, tells the multi-generational story of two Kentucky women, Corinth and Mary Esther, who wrestle with mental illness in vastly different ways decades apart. Like the creeks of Appalachia, and like the many Appalachians suffering from psychiatric illness, the experiences of Corinth and Mary Esther are nuanced and their potentials are manifold; the same holds true for the narrators and main characters of the books I recommend below. Like the creeks of Appalachia, their stories ring tender, but also roar. 

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7 Books That Take You Into London’s Hidden World

7 Books That Take You Into London’s Hidden World

My book, Blood Drunk, has two central characters. One is Freddie Burns, a hard-bitten, hard-drinking young Londoner with the world-weary cynicism of a sixty-year-old vice cop and the emotional intelligence of a toddler. He does his best, but it doesn’t always go very well. The other – sort of – is London itself, or at least a version of it. The book is set in the 1990s, a decade when London faced huge challenges – riots, homelessness, and a level of crime something like 90% worse than today – but also when it began to recover from its long-post war slump; a vast animal emerging from hibernation, cleaning the coal soot off its buildings and blinking in the bright lights of Cool Brittania. London has reinvented itself many times since the Romans, layers of history deposited then fractured by the tectonic forces of technology and money – a place of cracks and fissures under the concrete where all sorts of hidden stories play out in the dark. Here are a few of my favourites.      

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7 books that know how to have a conversation 

7 books that know how to have a conversation 

As a college student, I had a real miracle happen in the form of incidentally ending up in an intro to poetry class with Martín Espada. Learning from Martín changed my life in many directions, but today I’m here to think with you all about a central ethos of his mentorship, that “the purpose of poetry is to communicate.”

Who doesn’t love the good company of a great book, when reading feels like having a conversation? I especially love collections that lean into the everyday, and writers who bring their attention to bear on the seemingly inconsequential, the mundane, rendering it sacred. It’s this admiration that led me to the project of my own book, and it’s why I called that book Small Talk. 

Lately, I’ve been returning to the books that have kept me such good company with new questions: How are these books thinking about and/or with the reader? How are they using form to change what kinds of thinking are possible? Who else is in the room of the poems? What do these poems believe, and how does the poet attempt to communicate that?

For this list, I’ve gathered together a group of writers that talk to their readers in ways that are innovative and permissive; books that changed what I could imagine a book might be capable of doing. In these pages, writers find meaning in a bag of Funyuns, a daughter’s socks at a bowling alley, a monarch butterfly on a wrinkled shirt, a friend eating strawberries, and so much more. 

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