The Power of the Bruja: Brenda LaTorre Reclaims Witchcraft and Womanhood

The Power of the Bruja: Brenda LaTorre Reclaims Witchcraft and Womanhood

Brenda LaTorre’s debut novel, Bruja’s Nest, follows Yolanda, a teenager growing up in a household of abuse and disorder. When her mother sends her to work as a servant at the Fernández De la Rosa estate, she plots to become the woman of the house. The book draws on horror, telenovelas, feminism, class politics, and Indigenous spiritual practices to explore her story. We spoke via email about taboo spiritual practices, her research process, and the underappreciation of telenovelas.

We edited and condensed this interview for clarity.

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Beyond the Perfect Victim: Amber Blaeser-Wardzala Discusses Another Name for Red

Beyond the Perfect Victim: Amber Blaeser-Wardzala Discusses Another Name for Red

Amber Blaeser-Wardzala’s Another Name for Red has some of the most harrowing fiction I’ve ever read. The hyper-sexualization of Native women is a blight woven into American culture, and a Native author allowing a female Anishinaabe protagonist to make reckless choices in this atmosphere feels revelatory. Blaeser-Wardzala shifts the onus of bad behavior where it belongs – on men.

Folks in NDN Country will love to see themselves in these pages; from stray dogs to rez nicknames to arguments over what it means that red is the only color spirits can see, Another Name for Red feels like home in a way very few books do. Non-Natives will love reading it for the same reason, catching a slice of rez life from an insider’s point of view. This literary thriller pulled me forward with one simple question: where is Oldest Sister?

Amber Blaeser-Wardzala and I communicated via email about the importance of Indigenous voices telling Indigenous stories, why Natives rarely focus on one art form, and how younger generations perceive old school representation like Dances with Wolves.

Our conversation below has been edited and condensed for clarity.

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Inside the Collection: Adam O’Fallon Price Dissects Objects of Desire

Inside the Collection: Adam O’Fallon Price Dissects Objects of Desire

What makes a great short story collection? In Debutiful’s latest Q&A series, Inside the Collection, short story writers will take readers through their writing, editing, and sequencing of their debut short story collection.

In Objects of Desire, Adam O’Fallon Price delivers an unflinchingly honest and darkly funny collection exploring the restless longings, complicated relationships, and unfulfilled desires that shape our lives. From a resentful brother confronting the responsibility of donating bone marrow to his dying sibling to a struggling artist whose search for his missing dog leads him into danger and a college soccer player wrestling with childhood trauma and resentment toward her mother, these stories follow characters whose desires push them toward unexpected and often irreversible consequences. Winner of the Autumn House Press Fiction Prize, selected by Alexandra Kleeman, Objects of Desire examines the distance between what we want and what we need, and the ways our own impulses can lead us astray. Price is also the author of two novels, The Grand Tour and The Hotel Neversink, the latter of which won the 2020 Edgar Award for Best Paperback Original. His fiction has appeared in Harper’s, The Paris Review, Granta, The Kenyon Review, and elsewhere. He lives in Carrboro, North Carolina, and teaches fiction writing at the University of North Carolina.

In our latest Inside the Collection Q&A, Price takes readers inside his debut short story collection, Objects of Desire.

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Lee Bains Examines Southern Traditions, Memory, and Community in Work Lunch

Lee Bains Examines Southern Traditions, Memory, and Community in Work Lunch

Work Lunch by Lee Bains is a captivating debut book of poetry that centers food as much more than sustenance – it is communication between worlds. A palimpsest of experiences and history, these poems seat us at his very specific tables and plates of food, then draw concentric circles to connect us to our own tables, our own plates, and the universal considerations of all plates. Through the journey of food, his poems portray vanishing landscapes, and what takes their place. At the same time, Bains creates a new and different lens through which to see Southerners: like his Granddaddy, in Salad, whose “…eyesight had dimmed,/” but whose “vision had grown clearer./”.

These poems give us the South as “the confluence of seasonings and knowings from/”. He showcases a melting pot that many want to, in turns, erase, co-opt, redefine in their own likeness. In Salad, Bains takes responsibility for himself and declares “…if words weren’t filled with good spirits,/charged with grace, humbled in not knowing,/they could do unspeakable horror./” – one of many lessons from his Granddaddy, who pinched and pulled to arrive at this place of himself.

Bains shares observations about how the sanitization of culture through convenience can cause us to lose the purity of dirt. He builds a bridge between past and present and somehow builds hope. Like grief – Bains speaks names to keep memories alive. These foods, the places, and people who give life to the food and allow for solidarity and humanity.

Like dough, words are “pinched and pulled” into biscuits of delicious stories. He kneads facts between Birmingham and Atlanta, economics and necessities, those who compromise/acquiesce/surrender and those who don’t, into loaves of unconditional love made from the history of an environment and the hard truths that live in the everyday of that environment. He shares ideas about how repackaged culture out-prices the people who bring that culture to life and asks: do we turn into the skid of change or curse it out and resist? The language is lyrical, accessible and brilliantly crafted.

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Franny Choi’s We Radiant Things Asks Who Gets to Be Human

Franny Choi’s We Radiant Things Asks Who Gets to Be Human

In her essay collection, We Radiant Things: Notes on Being Alien and Becoming Cyborg, Franny Choi interrogates the common metaphor that likens Asians to robots, exploring how this trope has impacted her life, her identity, and even her experience of pleasure. By critiquing cultural touchstones from Terminator 2 and Battlestar Galactica to The Flaming Lips and beyond, Choi grapples with what makes us human and how to envision a better world without repeating the mistakes of the past.

I spoke with the writer over Zoom. We talked about how they balance social justice organizing with the demands of their day job, the value of dissociation, the transition from writing poetry to nonfiction, and why we all need to be very specific in our opposition to AI.

This conversation has been edited and condensed for clarity.

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Rebecca Perry might not have written her Booker-shortlisted novel if it weren’t for Percival Everett

Rebecca Perry might not have written her Booker-shortlisted novel if it weren’t for Percival Everett

A debut novel that’s shortlisted for the Booker Prize is a rare coup: with May We Feed the King, Rebecca Perry finds herself in the company of Arundhati Roy (The God of Small Things), Avni Doshi (Burnt Sugar), and Douglas Stuart (Shuggie Bain). But it’s a well-established nominee who she credits with inspiring her novel. Reading Percival Everett’s The Trees, which she describes as “batshit” in the best of ways, showed her it was possible to write the kind of genre-bending book she aspired to. 

With May We Feed the King, Perry works in historical fiction but questions memory, research, and truth. A curator is commissioned to arrange rooms for the 750th anniversary of a palace. She avoids looking at her own past by becoming lost in the mysterious legacy of a medieval king. When the anniversary celebration begins, she implores visitors to consider history elastic and make their own meaning from the artifacts in the rooms.

Genre isn’t the only literary norm Perry played with. We connected via email about her choices with plot, white space, and writing in the bath.

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How Little Women and Contemporary Poetry Shaped Poet K.T. Landon

How Little Women and Contemporary Poetry Shaped Poet K.T. Landon

K.T. Landon’s Abide is a poetry collection about mortality, grief, and the unexpected joy that can emerge from moving through loss. Written over the course of a decade, the poems reckon with the death of Landon’s sister, her own cancer diagnosis, marriage, faith, and memory while finding humor and moments of transcendence in everyday life.

Landon’s poems have appeared in The Sun, The Southern Review, New Ohio Review, Nimrod, North American Review, and Best New Poets, among others. She received her MFA from Vermont College of Fine Arts and is a reader for Lily Poetry Review.

The poet answered our recurring My Reading Life Q&A so readers could get to know the books that shaped her life and influenced her writing.

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Carrie Lee South on writing terror for her novel In the Woods They Wait

Carrie Lee South on writing terror for her novel In the Woods They Wait

Carrie Lee South’s In the Woods They Wait is a suspenseful novel with horror elements, astute prose, and emotional heft. The book opens in 2004 when Audrey Figg is a teenager tasked with watching her younger brother. He disappears into the woods of Devil’s Den State Park within the Ozark Mountains. Fifteen years later, Audrey is a park ranger in the same woods, and a little girl goes missing, echoing her brother’s disappearance. 

The author drew on her own sibling loss to imbue the book with the complexity of grief and the terror of loss. It is a suspenseful novel with line-level precision. South’s description of setting is also forceful, and the natural world is a presence throughout her debut novel. 

I spoke via email with South about writing suspense and twists, her own connection to the Ozarks, and the influences that informed her horror novel In the Woods They Wait.

This interview has been edited and condensed for clarity.

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Ankur Thakkar Reads for Voice, Structure, and Reinvention

Ankur Thakkar’s Blow Yourself Up follows Arjun and Payal, two high school sweethearts whose lives diverge as the internet transforms around them. While Payal rises through New York’s influencer economy, Arjun finds himself moderating the darkest corners of the same social media platform. Spanning eight years, the novel explores creative ambition, identity, love, and what we sacrifice in the endless pursuit of being seen.

Thakkar is a writer and multimedia artist whose stories have appeared in Guernica, PANK, and TriQuarterly. A 2025 Sewanee Writers’ Conference Scholar, he has also exhibited artwork at the Palais de Tokyo and La Friche la Belle de Mai.

For My Reading Life, Thakkar spoke with Debutiful about discovering The Mahabharata as a child, the novel that inspired him to begin writing Blow Yourself Up, and the diasporic writers who helped shape his work.

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Inside the Collection: Karishma Jobanputra dissects The Body of the Thing

Inside the Collection: Karishma Jobanputra dissects The Body of the Thing

What makes a great short story collection? In Debutiful’s latest Q&A series, Inside the Collection, short story writers will take readers through their writing, editing, and sequencing of their debut short story collection.

In The Body of the Thing, Karishma Jobanputra delivers a lyrical and visceral collection exploring the hierarchies that shape women’s relationships with their bodies and with one another. Moving from first loves and sexual awakenings to motherhood, miscarriage, illness, caregiving, and death, the stories examine what happens when women’s bodies are desired for their beauty and youth, dismissed when they become ill, or valued for what they can provide to others. Set across Manhattan, Italy, coastal Maine, and London, The Body of the Thing is a fluid, sensual, and fearless examination of what it means to look at and live in the female body, in all its complicated realities and wonders. Jobanputra is a British-Indian writer based in London and a graduate of Columbia University’s MFA Fiction program. Her work has been listed for the Brick Lane Short Story Prize and the Disquiet Literary Prize for Fiction. The Body of the Thing is her first book.

In our latest Inside the Collection Q&A, Jobanputra takes readers inside her debut short story collection, The Body of the Thing.

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