Eight Mythology-Inspired Novels That Aren’t Retellings Recommended by Zara Marielle

Eight Mythology-Inspired Novels That Aren’t Retellings Recommended by Zara Marielle

When I was a senior in high school, I was given the option of studying mythology instead of the ordinary twelfth-grade English curriculum, thus igniting a lifelong obsession from which I’ll likely never recover. My goal was to study myths at a higher education level, but when my tiny Canadian university didn’t offer such a course, I signed up for the next best thing: a minor in World Religions. (That course of study resulted in a fascinating archeological dig in the Middle East, but that’s a story for another time.) The point is, I love myths, and I know I’m not the only one. 

My contemporary adult fantasy, The Café of Infinite Doors, repurposes the Celtic mythological character of the Morrígan, a fierce battle-goddess who can see the future and turn into a crow. The book also follows a trapped housewife trying to emancipate herself from a controlling relationship, and believe it or not, the two threads do intertwine, though to find out how you’ll have to read the book! But why are we, as human beings, so obsessed with myths? What is so universally compelling about these ancient stories? 

Naturally, we know that mythological characters are often based on archetypes, representing a societal role or universally recognizable character trait. Gaia the mother. Anansi the trickster. Dionysus the drunk. Is it because these characters still feel relevant and relatable, even thousands of years after they were first created? Regardless of the answer, even the most superficial analysis of publishing trends shows us that contemporary readers are just as eager to consume mythology as ever. Relletings, particularly of the Greek variety, are selling like hot-cakes. (Who came up with this expression? Why hot cakes and not fidget spinners? These are questions for another time.) 

The question I’d like to examine is this: How much of a myth must be present in a work of modern fiction in order to be classified as a retelling? Does the answer lie in the number of plot points preserved from the original? How do you even find the original, when so many ancient cultures shared stories orally? And how does one quantify something as specific as “plot points” if the original source material is vague? Take, for example, characters who appear on the periphery of other characters’ stories, without having a myth of their own. I’m thinking of Greek muses like Urania, a goddess of astrology who sometimes guides others (men) on their quests but seldom appears as a protagonist… For the purposes of this list, I’d like to keep the parameters vague: if a mythological character is present, but their journey does not mirror the source material, I will classify them a work of mythology that is not a retelling. And before you ask: I have nothing against retellings. In fact, I adore them. But they are so popular in the current zeitgeist that they could easily have their own list. I’m sure someone has written one already. My goal is to showcase the broader use of mythology in newer works of fiction instead.

In the spirit of full disclosure, I must confess that I am not an expert in the myths of every culture on the planet. (Wouldn’t that be an amazing flex?) Also, I’m aware that many of us in the “Western world” automatically associate mythology with the stories of Ancient Greece and Rome, which is why I’ve based my list on novels showcasing other traditions, in the spirit of diversity and education. Finally, I’d like to state the obvious: due to the fact that mythology so often contains elements of magic, the books on this list will all fall under the speculative umbrella. So, with all of that in mind, here are eight novels that incorporate mythology without being retellings. 

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See the cover for The Meaning of Daughter by Alexia Nader

See the cover for The Meaning of Daughter by Alexia Nader

The Meaning of Daughter, the debut novel by Alexia Nader, follows three generations of women navigating ambition, motherhood, and constraint, as each attempts to define herself through art, love, and autonomy within the expectations placed on her. As their choices reverberate across decades and geographies, the novel examines how desire, resentment, and inherited dreams fracture and reshape a family.

The Meaning of Daughter will be published on September 15, 2026, by University of Iowa Press and is available for preorder now.

Nader is originally from Miami and currently lives in San Francisco.

Debutiful is honored to reveal the cover of The Meaning of Daughter, designed by Kathleen Lynch, along with a Q&A with Nader about its creation.

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Guided by Voices: Grace Spulak on Violence, Justice, and Seizing the Right to Speak

Guided by Voices: Grace Spulak on Violence, Justice, and Seizing the Right to Speak

Grace Spulak’s debut collection, Magdalena Is Brighter Than You Think, winner of Autumn House Press’ 2025 Rising Writer Prize, gathers eleven stories set mostly in rural New Mexico among people pushed to the margins. The lives here belong to queer women, non-binary folks, and kids who’ve slipped or been shoved past the edge of any safety net: the poor, the dispossessed, those for whom institutional neglect and violence are not interruptions but the terms of daily life. Darkness is the backdrop – yet the stories are less interested in tallying damage than in tracking the ways these characters angle toward a scrap of light and try to improvise an exit where none really exists.

With a JD from Harvard Law School and an MFA from the Warren Wilson Program for Writers—where she and I first met—Grace brings a double education in law and literature to Magdalena’s formal decisions. Nearly a decade representing children and young people in New Mexico’s courts has made her attuned to the small, skewed survival narratives people build when no one believes them, and the collection moves through those registers: the borrowed textures of trial transcripts and corporate jargon, the slippages in point of view, the sentence that can withhold and indict in the same breath. 

She and I spoke via email about these formal gambits and about why fiction, precisely because it fractures, distorts, and rearranges, sometimes get closer to what’s happened than any official record. Our conversation below has been edited and condensed for clarity.

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Writer/Translator: Agnieszka Szpila and Scotia Gilroy discuss Hexes of the Deadwood Forest

Writer/Translator: Agnieszka Szpila and Scotia Gilroy discuss Hexes of the Deadwood Forest

Hexes of the Deadwood Forest, the debut novel from Polish writer Agnieszka Szpila, was translated into English from Polish by Scotia Gilroy. The novel has been called “a torpedo of a book” by Olga Tokarczuk and follows a disgraced oil executive whose public scandal fractures her identity, sending her spiraling across time and consciousness until she is absorbed into a radical, centuries-old sisterhood of women whose ecstatic rebellion against patriarchy builds toward a violent and transformative reckoning.

In our latest interview series, “Writer/Translator,” we ask a writer and their translator to interview each other about their work. Below, Szpila and Gilroy discuss the origins and inspirations behind the novel, the role of sexuality and political/ecological themes, and the process of translation as a creative, transformative act.

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See the cover for Honor by A.B. Dozier

See the cover for Honor by A.B. Dozier

Honor, the debut novel by A.B. Dozier, is set in 1920s Baltimore and follows Bella, a fiercely independent young woman navigating immigrant life while resisting the control of the Black Hand, an organized crime network that exploits and traffics vulnerable women. After her murder draws massive public attention, the investigation into her death exposes a vast web of interconnected crimes and reveals how the choices of a community, both complicit and resistant, allowed such violence to take hold.

Honor will be published on March 9, 2027, by Blair Publishing and is available for preorder now.

Dozier is a longtime human rights advocate who, while researching her family history in spring 2020, discovered a century-old Baltimore newspaper article about an unidentified body and followed it into the story that became Honor. She holds a BA in International Relations from Randolph Macon Woman’s College and an MA in Conflict Resolution from Lancaster University, and lives in Washington, DC with her husband, three sons, and a Maine Coon.

Debutiful is honored to reveal Compensation‘s cover, designed by Laura Williams, along with a Q&A with Dozier about its creation.

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8 Books Featuring Dreamy Landscapes, Recommended by Erin L. McCoy

When I started writing my debut novel, Underlake, I had two primary goals: to attain a lyrical, carefully crafted prose, and to create an atmosphere for the book that was immersive, multi-layered, and inextricable from the plot. So much fiction watches its characters and their interactions closely but forgets to place them somewhere in the world. The result can be scenes that feel flat and unfinished. 

I grew up in Kentucky and in mostly rural environs, where a person’s possibilities can feel as limited as the borders of the known world: these subdivisions, this strip mall, that winding road swallowed into the hills. But as a child on family road trips, I traversed the country many times and gained a sense of how much one’s environment shapes the life they can envision for themselves. When I left the country for the first time at eighteen, the experience affirmed for me that learning about new cultures and being immersed in new environments—chain of strange syllables, scent of honeysuckle, mottled island offshore—could help me live many lives, many times over. 

Books can help you do that too. Great books plunge you not just into human circumstance but into the environments that formed and colored and framed that circumstance. So much of what we feel and desire every day is influenced by the room we’re in, how sunny it is, whether we can smell the ocean or glimpse mountains through the fog. A character’s experience is inextricable from where they live: the economic possibilities or lack thereof, whether they feel trapped in a dark house or a small town, how much they can see before the horizon breaks.  

I’ve compiled a list of eight books that feature dreamy landscapes whose atmosphere and texture is inextricable from the lives their characters lead. Each of these has taught me some new way there is to live.

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8 Books About Radical Living and Creative Communities

8 Books About Radical Living and Creative Communities

My debut novel, Temporary Palaces, centers around a short-lived illegal squat in Ottawa, the city where I grew up. In part, it is a tribute to a real squat opened by activists in 2002. Their goal was to bring attention to an emerging housing crisis that, now, twenty-plus years later, has become endemic to the city and has come to define urban life across North America.

The fictional squat is just one of the many creative solutions to cheap living that form the backdrop for the punk, art, and activist communities that populate Temporary Palaces. Sprawling industrial lofts-turned-artist studios, communal punk houses, urban campsites on the secret fringes of downtown, ephemeral concert venues and art installations. These spaces mirror places I lived and frequented. A series of cheap lofts and apartments in post-referendum Montreal allowed me to dedicate time to working on my zine Ghost Pine – which is how I became a writer. 

Creativity requires space, and time. Inexpensive living goes hand in hand with new movements in art and enables the conditions for political ferment. From a Booker-winning novel to surreal graphics, on this list I recommend titles that feature (or were created within) alternative living arrangements and forms of community-making, most with a punk or anarchist bent.

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