See the cover for All Good Men by Libby Flores

See the cover for All Good Men by Libby Flores

All Good Men, the debut short story collection by Libby Flores, is an unflinching exploration of masculinity, vulnerability, and the consequences of the choices men make. Across stories of love, betrayal, parenthood, and violence, Flores inhabits the inner lives of men at their most unguarded, challenging the expectations and power dynamics that shape their relationships.

Flores is a writer whose work has appeared in The New Yorker, One Story, Ploughshares, Tin House, and elsewhere. All Good Men will be published by Unnamed Press on April 6, 2027, and is available for pre-order now.

Debutiful is honored to reveal the cover of All Good Men, designed by Yannick Scott. Below, Flores discusses her love of 1970s paperback aesthetics, her vision for a text-only cover, and how Scott used typography, movement, and shadow to create a design that invites readers to look beneath the surface.

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Lee Bains Examines Southern Traditions, Memory, and Community in Work Lunch

Lee Bains Examines Southern Traditions, Memory, and Community in Work Lunch

Work Lunch by Lee Bains is a captivating debut book of poetry that centers food as much more than sustenance – it is communication between worlds. A palimpsest of experiences and history, these poems seat us at his very specific tables and plates of food, then draw concentric circles to connect us to our own tables, our own plates, and the universal considerations of all plates. Through the journey of food, his poems portray vanishing landscapes, and what takes their place. At the same time, Bains creates a new and different lens through which to see Southerners: like his Granddaddy, in Salad, whose “…eyesight had dimmed,/” but whose “vision had grown clearer./”.

These poems give us the South as “the confluence of seasonings and knowings from/”. He showcases a melting pot that many want to, in turns, erase, co-opt, redefine in their own likeness. In Salad, Bains takes responsibility for himself and declares “…if words weren’t filled with good spirits,/charged with grace, humbled in not knowing,/they could do unspeakable horror./” – one of many lessons from his Granddaddy, who pinched and pulled to arrive at this place of himself.

Bains shares observations about how the sanitization of culture through convenience can cause us to lose the purity of dirt. He builds a bridge between past and present and somehow builds hope. Like grief – Bains speaks names to keep memories alive. These foods, the places, and people who give life to the food and allow for solidarity and humanity.

Like dough, words are “pinched and pulled” into biscuits of delicious stories. He kneads facts between Birmingham and Atlanta, economics and necessities, those who compromise/acquiesce/surrender and those who don’t, into loaves of unconditional love made from the history of an environment and the hard truths that live in the everyday of that environment. He shares ideas about how repackaged culture out-prices the people who bring that culture to life and asks: do we turn into the skid of change or curse it out and resist? The language is lyrical, accessible and brilliantly crafted.

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Read an excerpt from Good Guys by Mindy Misener

Read an excerpt from Good Guys by Mindy Misener

The following is an excerpt from Good Guys by Mindy Misener. She grew up in Maine and graduated from Williams College and the University of Michigan’s Helen Zell Writers’ Program. After teaching college writing for ten years, she enrolled in Yale Divinity School. Her prose has appeared in The Missouri Review, The Common, Image, and other publications.

Good Guys follows Georgie and Jo, two estranged sisters living in a small New England town in 2008. When Gary Clemmons, a celebrated hometown hero and the brother of Georgie’s secret girlfriend, dies in the Iraq War, Georgie discovers a disturbing secret about his past. As the sisters become entangled in the fallout, their family and community are forced to confront the darker sides of patriotism, masculinity, and religious devotion. It is available now from Melville House.

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Read an excerpt from Don’t Leave Her Alone by Desirée de Fez

Read an excerpt from Don’t Leave Her Alone by Desirée de Fez

The following is an excerpt from Don’t Leave Her Alone by Desirée de Fez, translated by Lizzie Davis. One of Europe’s foremost experts in fantasy and horror literature and film, de Fez has spent more than fifteen years advising international filmmakers and production companies. She is also a film critic and international film festival programmer. Don’t Leave Her Alone is her debut novel.

Don’t Leave Her Alone follows Alba, a woman consumed by anxiety who relies heavily on her mother, Carmen, while her sister, Diana, struggles with the demands of work and motherhood. When Alba encounters two mysterious women at a shopping mall just before Christmas, a terrifying series of events unfolds, culminating in her disappearance on Christmas Eve. As long-buried family tensions erupt into visceral horror, the three women must confront the fears that bind them together. It is available now from G.P. Putnam’s Sons.

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See the cover for Steelhead by Colby Cotton

See the cover for Steelhead by Colby Cotton

Colby Cotton’s debut poetry collection, Steelhead, is a meditation on grief, loneliness, and the lasting impact of loss. Written in the aftermath of a childhood friend’s death by suicide, the collection moves through dreamlike landscapes where the boundaries between life and the afterlife blur, exploring the search for a home we can never truly return to.

It will be released by University of Pittsburgh Press on February 16, 2027, and is available for pre-order now.

Cotton is a former Wallace Stegner Fellow at Stanford University whose work has appeared in Ploughshares, Prairie Schooner, The Iowa Review, and elsewhere. Originally from New York, he now lives in Los Angeles.

Debutiful is honored to reveal the cover of Steelhead, designed by Alex Wolfe and featuring photography by Francisco Gonzalez Camacho. Below, Cotton discusses the rural landscapes that shaped his poems, the photograph that immediately resonated with him, and how a simple ripple in water captures the collection’s exploration of grief, memory, and mortality.

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See the cover for Minton Manor by Mollie Hawkins

See the cover for Minton Manor by Mollie Hawkins

Minton Manor, the debut novel by Mollie Hawkins, explores complicated family dynamics, manufactured realities, and the unraveling of a seemingly perfect world. Centered on a family and their grand estate, the novel explores what happens when the foundations of a carefully constructed life begin to crumble.

Minton Manor will be published by Blair on April 13, 2027.

Debutiful is honored to reveal the cover of Minton Manor, designed by Jason Heuer. Below, Hawkins discusses drawing inspiration from films like The Royal Tenenbaums and Parasite, her fascination with houses and dysfunctional families, and how the final design captures a family desperately trying to hold on as their world comes apart.

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6 Appalachian Books that Explore Mental Illness, Recommended by Erin Miller Reid

6 Appalachian Books that Explore Mental Illness, Recommended by Erin Miller Reid

For me, creeks are thin places, where the barrier between the physical world and the spiritual world attenuates, where the boundaries between god, ghost, and human disappear and the tethers between past, present, and future blur. Creeks: the clear tinkling sound of water rippling forward, hidden worlds under smooth, wet stones, ancient watering holes. Creeks: the ever-present threat of flood with each storm, the potential to drown a town after a night of heavy rainfall. The Appalachian Mountains are filled with creeks winding their way through the mossy beds of forests, through cow pastures and tobacco fields, through backyards, and behind strip malls in a dualistic path of peace and threat. 

I’d posit that Appalachian creeks are a metaphor for mental health—introspection and outward projection in precarious balance, inner peace and chaos in limbo, a yin and yang of the physical self and the spiritual. My novel, But For Fortune, tells the multi-generational story of two Kentucky women, Corinth and Mary Esther, who wrestle with mental illness in vastly different ways decades apart. Like the creeks of Appalachia, and like the many Appalachians suffering from psychiatric illness, the experiences of Corinth and Mary Esther are nuanced and their potentials are manifold; the same holds true for the narrators and main characters of the books I recommend below. Like the creeks of Appalachia, their stories ring tender, but also roar. 

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Franny Choi’s We Radiant Things Asks Who Gets to Be Human

Franny Choi’s We Radiant Things Asks Who Gets to Be Human

In her essay collection, We Radiant Things: Notes on Being Alien and Becoming Cyborg, Franny Choi interrogates the common metaphor that likens Asians to robots, exploring how this trope has impacted her life, her identity, and even her experience of pleasure. By critiquing cultural touchstones from Terminator 2 and Battlestar Galactica to The Flaming Lips and beyond, Choi grapples with what makes us human and how to envision a better world without repeating the mistakes of the past.

I spoke with the writer over Zoom. We talked about how they balance social justice organizing with the demands of their day job, the value of dissociation, the transition from writing poetry to nonfiction, and why we all need to be very specific in our opposition to AI.

This conversation has been edited and condensed for clarity.

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Rebecca Perry might not have written her Booker-shortlisted novel if it weren’t for Percival Everett

Rebecca Perry might not have written her Booker-shortlisted novel if it weren’t for Percival Everett

A debut novel that’s shortlisted for the Booker Prize is a rare coup: with May We Feed the King, Rebecca Perry finds herself in the company of Arundhati Roy (The God of Small Things), Avni Doshi (Burnt Sugar), and Douglas Stuart (Shuggie Bain). But it’s a well-established nominee who she credits with inspiring her novel. Reading Percival Everett’s The Trees, which she describes as “batshit” in the best of ways, showed her it was possible to write the kind of genre-bending book she aspired to. 

With May We Feed the King, Perry works in historical fiction but questions memory, research, and truth. A curator is commissioned to arrange rooms for the 750th anniversary of a palace. She avoids looking at her own past by becoming lost in the mysterious legacy of a medieval king. When the anniversary celebration begins, she implores visitors to consider history elastic and make their own meaning from the artifacts in the rooms.

Genre isn’t the only literary norm Perry played with. We connected via email about her choices with plot, white space, and writing in the bath.

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See the cover for Welcome Home, Stranger by Yoojin Grace Wuertz

See the cover for Welcome Home, Stranger by Yoojin Grace Wuertz

Yoojin Grace Wuertz’s Welcome Home, Stranger is a YA novel about family, identity, and the complicated bond between two second cousins raised worlds apart. Yeji grew up in North Korea, while Ellie grew up in North Jersey, and when the two live together in Leonia for a year, they must navigate the histories, expectations, and cultural differences shaping their shared family.

Wuertz is the author of Everything Belongs to Us. Welcome Home, Stranger will be published by Farrar, Straus and Giroux Books for Young Readers on May 25, 2027.

Debutiful is honored to reveal the cover of Welcome Home, Stranger, illustrated by Mozza with art direction by Aurora Parlagreco. Below, Wuertz discusses the cover’s layered depiction of Yeji and Ellie, its play with scale and cultural artifacts, and how the final design captures both the friction and intimacy at the heart of the novel.

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