Read an excerpt from Wife Shaped Bodies by Laura Cranehill 

Read an excerpt from Wife Shaped Bodies by Laura Cranehill 

The following is an excerpt from Wife Shaped Bodies by Laura Cranehill. She is a writer who lives in the Pacific Northwest with her spouse and three children and has had her writing appear in Strange Horizons, Vastarien, ergot., PANK, and multiple award-winning anthologies. This is her first novel.

Wife Shaped Bodies is about an isolated young bride, raised under rigid rules and covered in fungal growths, who begins to unravel both her body and her beliefs after entering a controlling marriage. As she forms a dangerous connection with another woman, she uncovers buried truths about her community and confronts her own autonomy, desire, and transformationIt is now available from Saga Press.

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Seven Elegiac Books Recommended by Leigh Lucas

Seven Elegiac Books Recommended by Leigh Lucas

As I set out to write my own, I read many elegies of classic and contemporary poetry, memoir, and hybrid texts with visual art. The elegy is as old as literature itself, but the form has been reinvented again and again in our attempt to make meaning of loss, honor the deceased, and to get as close as we can to conveying the experience of grief—something that thousands of years later remains out of our grasp, just beyond the reaches of language. Here are seven of my favorites. 

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Question & Agent: Julie Gourinchas of Bell Lomax Moreton

Question & Agent: Julie Gourinchas of Bell Lomax Moreton

Welcome to Debutiful’s Agent Week! We gathered some of our favorite literary agents representing the most exciting debut books and asked them questions about what makes them love a submission, their agenting style, and the books they’re working on.

Julie Gourinchas is a literary agent at Bell Lomax Moreton in the UK. Writers she works with have won or been nominated for the British Book Awards, the Hugo Awards, the Stoker Awards, the BSFA Awards, the Betty Trask Award, and the Saltire National Book Awards, among others.

We dug into why she loves “weird girl lit,” the differences between agent work in the US and the UK, and why she’s an atmospher-first reader.

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Question & Agent: Mariah Stovall of Trellis Literary Management

Question & Agent: Mariah Stovall of Trellis Literary Management

Welcome to Debutiful’s Agent Week! We gathered some of our favorite literary agents representing the most exciting debut books and asked them questions about what makes them love a submission, their agenting style, and the books they’re working on.

Mariah Stovall is the author of I Love You So Much, It’s Killing Us Both, one of Debutiful’s Best Debut Books of 2024 (and our conversation remains a Top 10 most-listened to podcast episode in our history). She’s also a literary agent with Trellis Literary Management, where she represents everything from literary and upmarket fiction to narrative nonfiction covering arts, history, STEM, linguistics, sports, and philosophy, including Oye by Melissa Mogollon, another Best Debut Book of 2024.

We dug into a long list of what pitches are oversaturated, how publishing isn’t meritocracy nor a circle jerk, and how she balances writing fiction as an author and representing it as an agent.

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Announcing the 2026 Poets & Writers Get the Word Out Poetry Fellows

Announcing the 2026 Poets & Writers Get the Word Out Poetry Fellows

Poets & Writers has announced the 2026 poetry fellows cohort for Get the Word Out, a publicity incubator for early-career writers. The program gives selected writers an opportunity to work with an experienced book publicist who will guide them in leveraging the opportunity presented by their first or second major book publication.

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Magical Realism as Resistance: Jiyoung Han on Honey in the Wound

Magical Realism as Resistance: Jiyoung Han on Honey in the Wound

Honey in the Wound by Jiyoung Han weaves a story of broken silences in the wake of brutality and the connections that give voice to those silences. Magical moments live in the tears that grow into grass and a tiger that can rescue, but not save, the fate of her human family. And in the way mothers attend to each other while their dead children’s ghosts cry out. And in the transformation of gifts into love, resistance, and freedom.

Not until Young-Ja unearths the swell of grief for the granddaughter who resembles her long-gone father does she start to free herself from the merciless shame of her enslavement. Grandmother and granddaughter lift the veil to show that silence is never silent.

These forgotten women who were used as stock to help men forget their brutalities or provide relief to soldiers, finally use their bodies to protest the lapses in history’s memory and their words to help us all “learn and unlearn” and to show “how beliefs are made and taught.”

As much as I wanted Young-Ja to talk, I felt protective of all she’d been through and understood if she chose silence. I also rejoiced when the wisdom of young Rinako, simply wanting to be near her grandmother, allowed Young-Ja to finally release her voice, her tears, and her story. 

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Question & Agent: Emma Dries from Triangle House

Question & Agent: Emma Dries from Triangle House

Welcome to Debutiful’s Agent Week! We gathered some of our favorite literary agents representing the most exciting debut books and asked them questions about what makes them love a submission, their agenting style, and the books they’re working on.

Emma Dries is a writer and editor whose work has appeared in Outside, Lit HubBookforum, and Dwell. As an agent for Triangle House, her clients have published at imprints including. Alfred A. Knopf, Doubleday Books, and Ecco. The first book she sold was the debut breakout The Hounding by Xenobe Purvis.

We dug into what stands out in query letters, her approach with editorial as an agent, and why climate fiction is so important.

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Che Yeun, author of Tailbone, wishes she read more 19th and 20th century Korean history as a teen

Che Yeun, author of Tailbone, wishes she read more 19th and 20th century Korean history as a teen

Che Yeun‘s debut novel, Tailbone, follows a teenager who runs away from her abusive home to live in a boarding house for single women as a global financial crash threatens the people of Seoul. Heralded by the great Alexander Chee as an “unforgettable debut novel,” Yeun’s book finds hope in the darkest moments.

Her short has previously appeared in GrantaAGNIVirginia Quarterly Review, and The Kenyon Review Online. Outside of fiction, she earned a PhD in History of Science at Harvard University, and is currently a professor of History of Science & Technology at Texas A&M University.

We asked Yeun to answer our recurring My Reading Life Q&A so readers could get to know the books that shaped her life and influenced her writing.

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Question & Agent: Amanda Orozco of Transatlantic Agency

Question & Agent: Amanda Orozco of Transatlantic Agency

Welcome to Debutiful’s Agent Week! We gathered some of our favorite literary agents representing the most exciting debut books and asked them questions about what makes them love a submission, their agenting style, and the books they’re working on.

Amanda Orozco has been a literary agent at Transatlantic Agency since 2020, where she is drawn to stories from Asian and Latinx writers. Her clients include Shoshana von Blanckensee, m. mick powell, and Nick Medina. She seeks work where protagonists have a distinct voice and personality, where the plot is clever, quirky, gritty, or twisty.

We dug into why writers should know everything in publishing takes more time than they’d expect, representing both fiction and nonfiction, and her opinion on genre with a capital G.

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