See the cover for Charlotte by Elizabeth Ferris

See the cover for Charlotte by Elizabeth Ferris

Charlotte, the debut novel by Elizabeth Ferris, is a historical reimagining of Charlotte Brontë’s life during the turbulent year she wrote Jane Eyre. Facing rejection from publishers, financial pressures, and expectations that women abandon their literary ambitions, Brontë refuses to surrender her dream of becoming a novelist.

Ferris is a writer and writing teacher based in West Virginia. She holds an MFA from Queens University of Charlotte and has taught at the Studio School at the Virginia Museum of Fine Arts and Richmond Young Writers.

Charlotte will be published by William Morrow on April 6, 2027, the anniversary of Jane Eyre’s publication. It is available for pre-order now!

Debutiful is honored to reveal the cover of Charlotte, designed by Elsie Lyons. Below, Ferris discusses drawing inspiration from the Brontë Parsonage Museum, incorporating the tools of Charlotte Brontë’s writing life, and how a simple ink blot captures the determination and frustration of one of literature’s most celebrated authors.

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The Power of the Bruja: Brenda LaTorre Reclaims Witchcraft and Womanhood

The Power of the Bruja: Brenda LaTorre Reclaims Witchcraft and Womanhood

Brenda LaTorre’s debut novel, Bruja’s Nest, follows Yolanda, a teenager growing up in a household of abuse and disorder. When her mother sends her to work as a servant at the Fernández De la Rosa estate, she plots to become the woman of the house. The book draws on horror, telenovelas, feminism, class politics, and Indigenous spiritual practices to explore her story. We spoke via email about taboo spiritual practices, her research process, and the underappreciation of telenovelas.

We edited and condensed this interview for clarity.

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Beyond the Perfect Victim: Amber Blaeser-Wardzala Discusses Another Name for Red

Beyond the Perfect Victim: Amber Blaeser-Wardzala Discusses Another Name for Red

Amber Blaeser-Wardzala’s Another Name for Red has some of the most harrowing fiction I’ve ever read. The hyper-sexualization of Native women is a blight woven into American culture, and a Native author allowing a female Anishinaabe protagonist to make reckless choices in this atmosphere feels revelatory. Blaeser-Wardzala shifts the onus of bad behavior where it belongs – on men.

Folks in NDN Country will love to see themselves in these pages; from stray dogs to rez nicknames to arguments over what it means that red is the only color spirits can see, Another Name for Red feels like home in a way very few books do. Non-Natives will love reading it for the same reason, catching a slice of rez life from an insider’s point of view. This literary thriller pulled me forward with one simple question: where is Oldest Sister?

Amber Blaeser-Wardzala and I communicated via email about the importance of Indigenous voices telling Indigenous stories, why Natives rarely focus on one art form, and how younger generations perceive old school representation like Dances with Wolves.

Our conversation below has been edited and condensed for clarity.

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Inside the Collection: Adam O’Fallon Price Dissects Objects of Desire

Inside the Collection: Adam O’Fallon Price Dissects Objects of Desire

What makes a great short story collection? In Debutiful’s latest Q&A series, Inside the Collection, short story writers will take readers through their writing, editing, and sequencing of their debut short story collection.

In Objects of Desire, Adam O’Fallon Price delivers an unflinchingly honest and darkly funny collection exploring the restless longings, complicated relationships, and unfulfilled desires that shape our lives. From a resentful brother confronting the responsibility of donating bone marrow to his dying sibling to a struggling artist whose search for his missing dog leads him into danger and a college soccer player wrestling with childhood trauma and resentment toward her mother, these stories follow characters whose desires push them toward unexpected and often irreversible consequences. Winner of the Autumn House Press Fiction Prize, selected by Alexandra Kleeman, Objects of Desire examines the distance between what we want and what we need, and the ways our own impulses can lead us astray. Price is also the author of two novels, The Grand Tour and The Hotel Neversink, the latter of which won the 2020 Edgar Award for Best Paperback Original. His fiction has appeared in Harper’s, The Paris Review, Granta, The Kenyon Review, and elsewhere. He lives in Carrboro, North Carolina, and teaches fiction writing at the University of North Carolina.

In our latest Inside the Collection Q&A, Price takes readers inside his debut short story collection, Objects of Desire.

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See the cover for All Good Men by Libby Flores

See the cover for All Good Men by Libby Flores

All Good Men, the debut short story collection by Libby Flores, is an unflinching exploration of masculinity, vulnerability, and the consequences of the choices men make. Across stories of love, betrayal, parenthood, and violence, Flores inhabits the inner lives of men at their most unguarded, challenging the expectations and power dynamics that shape their relationships.

Flores is a writer whose work has appeared in The New Yorker, One Story, Ploughshares, Tin House, and elsewhere. All Good Men will be published by Unnamed Press on April 6, 2027, and is available for pre-order now.

Debutiful is honored to reveal the cover of All Good Men, designed by Yannick Scott. Below, Flores discusses her love of 1970s paperback aesthetics, her vision for a text-only cover, and how Scott used typography, movement, and shadow to create a design that invites readers to look beneath the surface.

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Lee Bains Examines Southern Traditions, Memory, and Community in Work Lunch

Lee Bains Examines Southern Traditions, Memory, and Community in Work Lunch

Work Lunch by Lee Bains is a captivating debut book of poetry that centers food as much more than sustenance – it is communication between worlds. A palimpsest of experiences and history, these poems seat us at his very specific tables and plates of food, then draw concentric circles to connect us to our own tables, our own plates, and the universal considerations of all plates. Through the journey of food, his poems portray vanishing landscapes, and what takes their place. At the same time, Bains creates a new and different lens through which to see Southerners: like his Granddaddy, in Salad, whose “…eyesight had dimmed,/” but whose “vision had grown clearer./”.

These poems give us the South as “the confluence of seasonings and knowings from/”. He showcases a melting pot that many want to, in turns, erase, co-opt, redefine in their own likeness. In Salad, Bains takes responsibility for himself and declares “…if words weren’t filled with good spirits,/charged with grace, humbled in not knowing,/they could do unspeakable horror./” – one of many lessons from his Granddaddy, who pinched and pulled to arrive at this place of himself.

Bains shares observations about how the sanitization of culture through convenience can cause us to lose the purity of dirt. He builds a bridge between past and present and somehow builds hope. Like grief – Bains speaks names to keep memories alive. These foods, the places, and people who give life to the food and allow for solidarity and humanity.

Like dough, words are “pinched and pulled” into biscuits of delicious stories. He kneads facts between Birmingham and Atlanta, economics and necessities, those who compromise/acquiesce/surrender and those who don’t, into loaves of unconditional love made from the history of an environment and the hard truths that live in the everyday of that environment. He shares ideas about how repackaged culture out-prices the people who bring that culture to life and asks: do we turn into the skid of change or curse it out and resist? The language is lyrical, accessible and brilliantly crafted.

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Read an excerpt from Good Guys by Mindy Misener

Read an excerpt from Good Guys by Mindy Misener

The following is an excerpt from Good Guys by Mindy Misener. She grew up in Maine and graduated from Williams College and the University of Michigan’s Helen Zell Writers’ Program. After teaching college writing for ten years, she enrolled in Yale Divinity School. Her prose has appeared in The Missouri Review, The Common, Image, and other publications.

Good Guys follows Georgie and Jo, two estranged sisters living in a small New England town in 2008. When Gary Clemmons, a celebrated hometown hero and the brother of Georgie’s secret girlfriend, dies in the Iraq War, Georgie discovers a disturbing secret about his past. As the sisters become entangled in the fallout, their family and community are forced to confront the darker sides of patriotism, masculinity, and religious devotion. It is available now from Melville House.

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Read an excerpt from Don’t Leave Her Alone by Desirée de Fez

Read an excerpt from Don’t Leave Her Alone by Desirée de Fez

The following is an excerpt from Don’t Leave Her Alone by Desirée de Fez, translated by Lizzie Davis. One of Europe’s foremost experts in fantasy and horror literature and film, de Fez has spent more than fifteen years advising international filmmakers and production companies. She is also a film critic and international film festival programmer. Don’t Leave Her Alone is her debut novel.

Don’t Leave Her Alone follows Alba, a woman consumed by anxiety who relies heavily on her mother, Carmen, while her sister, Diana, struggles with the demands of work and motherhood. When Alba encounters two mysterious women at a shopping mall just before Christmas, a terrifying series of events unfolds, culminating in her disappearance on Christmas Eve. As long-buried family tensions erupt into visceral horror, the three women must confront the fears that bind them together. It is available now from G.P. Putnam’s Sons.

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See the cover for Steelhead by Colby Cotton

See the cover for Steelhead by Colby Cotton

Colby Cotton’s debut poetry collection, Steelhead, is a meditation on grief, loneliness, and the lasting impact of loss. Written in the aftermath of a childhood friend’s death by suicide, the collection moves through dreamlike landscapes where the boundaries between life and the afterlife blur, exploring the search for a home we can never truly return to.

It will be released by University of Pittsburgh Press on February 16, 2027, and is available for pre-order now.

Cotton is a former Wallace Stegner Fellow at Stanford University whose work has appeared in Ploughshares, Prairie Schooner, The Iowa Review, and elsewhere. Originally from New York, he now lives in Los Angeles.

Debutiful is honored to reveal the cover of Steelhead, designed by Alex Wolfe and featuring photography by Francisco Gonzalez Camacho. Below, Cotton discusses the rural landscapes that shaped his poems, the photograph that immediately resonated with him, and how a simple ripple in water captures the collection’s exploration of grief, memory, and mortality.

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See the cover for Minton Manor by Mollie Hawkins

See the cover for Minton Manor by Mollie Hawkins

Minton Manor, the debut novel by Mollie Hawkins, explores complicated family dynamics, manufactured realities, and the unraveling of a seemingly perfect world. Centered on a family and their grand estate, the novel explores what happens when the foundations of a carefully constructed life begin to crumble.

Minton Manor will be published by Blair on April 13, 2027.

Debutiful is honored to reveal the cover of Minton Manor, designed by Jason Heuer. Below, Hawkins discusses drawing inspiration from films like The Royal Tenenbaums and Parasite, her fascination with houses and dysfunctional families, and how the final design captures a family desperately trying to hold on as their world comes apart.

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