A History of Heartache author Patrick Strickland was inspired by his former teacher, Patricia Lear

A History of Heartache author Patrick Strickland was inspired by his former teacher, Patricia Lear

Patrick Strickland is the author of Alerta! Alerta! Snapshots of Europe’s Anti-Fascist StruggleThe Marauders: Standing Up to Vigilantes in the American Borderlands, and You Can Kill Each Other After I Leave: Refugees, Fascism, and Bloodshed in Greece.

His debut short story collection, A History of Heartache, is filled with fourteen stories that chart the small mercies and big mistakes that make a life.

We asked him to answer our recurring My Reading Life Q&A so readers could get to know the books that shaped his life and influenced his writing.

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Erin Van Der Meer on The Scoop, Tabloid Journalism, and the Ethics of Media

Erin Van Der Meer on The Scoop, Tabloid Journalism, and the Ethics of Media

Erin Van Der Meer’s The Scoop is a piercing look at the horrors of celebrity tabloids, turned on its head: the call is coming from inside the proverbial house, here, as we follow the downward spiral of laid-off journalist Frankie. A once-praised New York journalist, Frankie finds herself washed up in a sea of rejections as she looks for work – any work –  after being let go from her glossy magazine job. 

When her desperation becomes dire, Frankie is offered a position at The Scoop, a clickbait-fueled tabloid. As she joins the ranks as a night editor, Frankie finds the night desk is a constant churn of distasteful fodder, yet her unquenchable thirst for achievement pulls her deeper into her quest for the kind of career she watches her old friends and colleagues achieve. The Scoop asks just how far Frankie must be willing to go to rise up the journalism ranks – and at what cost?

I spoke with Erin about her writing life, her transition from journalism to fiction, and how The Scoop came to be. 

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Gabrielle Sher, author of Odessa, is always inspired by Mary Shelley and Shirley Jackson

Gabrielle Sher, author of Odessa, is always inspired by Mary Shelley and Shirley Jackson

In Odessa, Gabrielle Sher introduces Yetta, a restless teenage girl coming of age in a shtetl shadowed by fear, where disappearances and whispered violence press in on daily life. After a brutal attack leaves her dead, her father turns to forbidden texts and uncertain magic to bring her back, but what returns is not entirely the daughter he lost. As Yetta begins to sense the truth of what she has become, the novel unfolds into a haunting story of grief, identity, and the consequences of trying to reverse the irreversible.

We asked Sher to answer our recurring My Reading Life Q&A so readers could get to know the books that shaped her life and influenced her writing.

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Tom Junod on Writing About His Father, Masculinity, and the Secrets That Shape a Life

In his new memoir, In the Days of My Youth I Was Told What It Means to Be a Man, Tom Junod reckons with the myth and reality of his father, a man whose presence shaped everything, even in what went unsaid. In this conversation, he discusses masculinity, memory, and the challenge of telling the truth without losing the complexity of love.

I caught up with Junod via email to discuss fatherhood, performance, and the tension between who we remember and who we understand.

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Seven Elegiac Books Recommended by Leigh Lucas

Seven Elegiac Books Recommended by Leigh Lucas

As I set out to write my own, I read many elegies of classic and contemporary poetry, memoir, and hybrid texts with visual art. The elegy is as old as literature itself, but the form has been reinvented again and again in our attempt to make meaning of loss, honor the deceased, and to get as close as we can to conveying the experience of grief—something that thousands of years later remains out of our grasp, just beyond the reaches of language. Here are seven of my favorites. 

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Question & Agent: Julie Gourinchas of Bell Lomax Moreton

Question & Agent: Julie Gourinchas of Bell Lomax Moreton

Welcome to Debutiful’s Agent Week! We gathered some of our favorite literary agents representing the most exciting debut books and asked them questions about what makes them love a submission, their agenting style, and the books they’re working on.

Julie Gourinchas is a literary agent at Bell Lomax Moreton in the UK. Writers she works with have won or been nominated for the British Book Awards, the Hugo Awards, the Stoker Awards, the BSFA Awards, the Betty Trask Award, and the Saltire National Book Awards, among others.

We dug into why she loves “weird girl lit,” the differences between agent work in the US and the UK, and why she’s an atmospher-first reader.

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Question & Agent: Mariah Stovall of Trellis Literary Management

Question & Agent: Mariah Stovall of Trellis Literary Management

Welcome to Debutiful’s Agent Week! We gathered some of our favorite literary agents representing the most exciting debut books and asked them questions about what makes them love a submission, their agenting style, and the books they’re working on.

Mariah Stovall is the author of I Love You So Much, It’s Killing Us Both, one of Debutiful’s Best Debut Books of 2024 (and our conversation remains a Top 10 most-listened to podcast episode in our history). She’s also a literary agent with Trellis Literary Management, where she represents everything from literary and upmarket fiction to narrative nonfiction covering arts, history, STEM, linguistics, sports, and philosophy, including Oye by Melissa Mogollon, another Best Debut Book of 2024.

We dug into a long list of what pitches are oversaturated, how publishing isn’t meritocracy nor a circle jerk, and how she balances writing fiction as an author and representing it as an agent.

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Magical Realism as Resistance: Jiyoung Han on Honey in the Wound

Magical Realism as Resistance: Jiyoung Han on Honey in the Wound

Honey in the Wound by Jiyoung Han weaves a story of broken silences in the wake of brutality and the connections that give voice to those silences. Magical moments live in the tears that grow into grass and a tiger that can rescue, but not save, the fate of her human family. And in the way mothers attend to each other while their dead children’s ghosts cry out. And in the transformation of gifts into love, resistance, and freedom.

Not until Young-Ja unearths the swell of grief for the granddaughter who resembles her long-gone father does she start to free herself from the merciless shame of her enslavement. Grandmother and granddaughter lift the veil to show that silence is never silent.

These forgotten women who were used as stock to help men forget their brutalities or provide relief to soldiers, finally use their bodies to protest the lapses in history’s memory and their words to help us all “learn and unlearn” and to show “how beliefs are made and taught.”

As much as I wanted Young-Ja to talk, I felt protective of all she’d been through and understood if she chose silence. I also rejoiced when the wisdom of young Rinako, simply wanting to be near her grandmother, allowed Young-Ja to finally release her voice, her tears, and her story. 

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Question & Agent: Emma Dries from Triangle House

Question & Agent: Emma Dries from Triangle House

Welcome to Debutiful’s Agent Week! We gathered some of our favorite literary agents representing the most exciting debut books and asked them questions about what makes them love a submission, their agenting style, and the books they’re working on.

Emma Dries is a writer and editor whose work has appeared in Outside, Lit HubBookforum, and Dwell. As an agent for Triangle House, her clients have published at imprints including. Alfred A. Knopf, Doubleday Books, and Ecco. The first book she sold was the debut breakout The Hounding by Xenobe Purvis.

We dug into what stands out in query letters, her approach with editorial as an agent, and why climate fiction is so important.

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