Schneider K. Rancy’s Beyond the Baths of Stars Is So Much More Than The Odyssey

Schneider K. Rancy’s Beyond the Baths of Stars Is So Much More Than The Odyssey

Billed as “a dazzling reimagining of The Odyssey,” Beyond the Baths of Stars is Schneider K. Rancy’s debut novel, which follows a quartet of recent high school grads in South Florida. The Odyssey touchstones are definitely present and add an additional layer, especially for those familiar with the Greek epic or who at least saw Christopher Nolan’s adaptation this summer, but Rancy’s book stands on its own with a unique story that doesn’t feel like an uninspired remix.

I was initially drawn to Beyond the Baths of Stars because my cousin is Haitian-American and I was curious what I might learn from Rancy’s cultural perspective—and while the novel scratched that itch, I also got so much more than I was anticipating. It’s always such a pleasure to read a book that gives not just sparkling prose but a plethora of topics to mull over long after the reading experience is over. There’s so much to chew on, including class, cultural expectations, ambition, disillusionment, mental health, and the challenges of friendship. That makes Beyond the Baths of Stars viable for book clubs and robust college discussions.

It was a pleasure to pick Rancy’s brain on some of the book’s themes and craft considerations, and it’s no surprise that his responses were as deep as his authorial voice, which is something he hones in his free time when he’s not busy training to be a surgeon!

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Finding Tenderness in the Grotesque: Alyson Mosquera Dutemple Discusses Marvelous Freaks of Nature!

What makes someone a freak? For Alyson Mosquera Dutemple, it has less to do with how strange someone might appear on the surface, and more about how alone someone can feel in a crowd. In her debut short story collection, Marvelous Freaks of Nature!, outsiders, eccentrics, and oddballs move through a world that is at times grotesque, hilarious, surreal, and surprisingly tender. Dutemple’s characters may feel cut off from the rest of the world, but they aren’t without desire—for connection, belonging, or love. It’s fitting that a former screenwriter who spent years writing romantic comedies before pivoting to fiction, would find, to her surprise, that loneliness was what kept emerging.

I had the pleasure of talking with Alyson about loneliness, screenwriting, mixtapes, and the pleasure of letting a story surprise you.

This interview has been condensed for length and clarity.

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See the cover for Locals by Jared Jackson

See the cover for Locals by Jared Jackson

Locals, Jared Jackson‘s debut short story collection, explores friendship, family, belonging, and the complexities of growing up in working-class Hartford, Connecticut. Across eight interconnected stories, Jackson follows young people navigating love, grief, and survival in a city shaped by inequality, revealing the tenderness beneath their bravado and the bonds that hold communities together.

Jackson is a Hartford-born writer whose fiction has appeared in The Yale Review, Guernica, Kenyon Review, and The Best American Short Stories. Viking will publish Locals on May 18, 2027.

Debutiful is honored to reveal the cover of Locals, designed by Jason Ramirez and featuring “Knuckle Sandwich” by artist Lynthia Edwards, courtesy of Richard Beavers Gallery. Below, Jackson discusses the collaborative design process, the significance of the artwork’s fragmented imagery, and how the cover captures the collection’s exploration of childhood, identity, and community.

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7 Gothic Books That Go Beyond Ghosts and Graveyards

7 Gothic Books That Go Beyond Ghosts and Graveyards

I was surprised when my astute editor at Bloomsbury Publishing suggested that my debut novel, Wither, could be called “gothic.” The book contains no ghosts, no castles, not even a graveyard—at least not in the traditional sense. Not one dang ghoul. I threw my chair and began to shriek in protest, but then considered a more modern sense of the gothic label, one that emphasizes atmosphere over story elements: lingering dread, inescapable past, bleak landscape, the possibility of the supernatural, and the existential crisis sparked by this unnatural encounter.

I abruptly stopped sobbing, righted my chair and gave a thumbs-up.

Everything that I treasure about horror is reflected in gothic literature. The awe and terror of the unknown, the thrill of impending doom, grazing the veil between the known and unknowable—this I find far more compelling than blood and guts. And the patience displayed in great gothic stories recognizes the pleasure of mystery, rather than its resolution.

Some of the books below might not typically come up in a discussion of Gothic literature, but all contain some elements or atmosphere that seat them in the good company of great Gothic stories.

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Five Books That Are “Good for Her” – Recommended by Mathilda Zeller

Five Books That Are “Good for Her” – Recommended by Mathilda Zeller

Do you ever have a particular vibe you just love in art and media, and then realize that there’s a common throughline for why you love these particular songs, stories, artworks?

If, like me, you enjoyed Cinderella as a child, and Knives Out as an adult, if Stephen King’s Carrie and Roald Dahl’s Mathilda struck a cord with you, and if Artemisia Gentileschi’s painting Judith Slaying Holofernes speaks to your soul, it might just be that you enjoy stories that are Good for Her.

What began with a gif from a television show (a woman responding to news about a mother driving herself and young children into a lake with “good for her!”) and a Tweet (@cinematogxphy’s post about the Good for her Cinematic Universe) has become a shorthand way to describe a certain storytelling form.

There is a lot of discourse about what defines a Good for Her story, but the definition I most appreciate suggests that this kind of narrative:

  1. Features a female/ femme protagonist who
  2. Lives in a systemically unjust society (usually patriarchal), and
  3. Is personally harmed by the outrageous injustices of that society, and
  4. Overcomes this harm/ injustice by playing not by the rules of society, but by her own rules.
  5. There must be a major catharsis for both the audience and the heroine, and
  6. The heroine cannot feel sorry for winning. She also cannot feel sorry for how she’s won.
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See the cover for Charlotte by Elizabeth Ferris

See the cover for Charlotte by Elizabeth Ferris

Charlotte, the debut novel by Elizabeth Ferris, is a historical reimagining of Charlotte Brontë’s life during the turbulent year she wrote Jane Eyre. Facing rejection from publishers, financial pressures, and expectations that women abandon their literary ambitions, Brontë refuses to surrender her dream of becoming a novelist.

Ferris is a writer and writing teacher based in West Virginia. She holds an MFA from Queens University of Charlotte and has taught at the Studio School at the Virginia Museum of Fine Arts and Richmond Young Writers.

Charlotte will be published by William Morrow on April 6, 2027, the anniversary of Jane Eyre’s publication. It is available for pre-order now!

Debutiful is honored to reveal the cover of Charlotte, designed by Elsie Lyons. Below, Ferris discusses drawing inspiration from the Brontë Parsonage Museum, incorporating the tools of Charlotte Brontë’s writing life, and how a simple ink blot captures the determination and frustration of one of literature’s most celebrated authors.

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The Power of the Bruja: Brenda LaTorre Reclaims Witchcraft and Womanhood

The Power of the Bruja: Brenda LaTorre Reclaims Witchcraft and Womanhood

Brenda LaTorre’s debut novel, Bruja’s Nest, follows Yolanda, a teenager growing up in a household of abuse and disorder. When her mother sends her to work as a servant at the Fernández De la Rosa estate, she plots to become the woman of the house. The book draws on horror, telenovelas, feminism, class politics, and Indigenous spiritual practices to explore her story. We spoke via email about taboo spiritual practices, her research process, and the underappreciation of telenovelas.

We edited and condensed this interview for clarity.

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Beyond the Perfect Victim: Amber Blaeser-Wardzala Discusses Another Name for Red

Beyond the Perfect Victim: Amber Blaeser-Wardzala Discusses Another Name for Red

Amber Blaeser-Wardzala’s Another Name for Red has some of the most harrowing fiction I’ve ever read. The hyper-sexualization of Native women is a blight woven into American culture, and a Native author allowing a female Anishinaabe protagonist to make reckless choices in this atmosphere feels revelatory. Blaeser-Wardzala shifts the onus of bad behavior where it belongs – on men.

Folks in NDN Country will love to see themselves in these pages; from stray dogs to rez nicknames to arguments over what it means that red is the only color spirits can see, Another Name for Red feels like home in a way very few books do. Non-Natives will love reading it for the same reason, catching a slice of rez life from an insider’s point of view. This literary thriller pulled me forward with one simple question: where is Oldest Sister?

Amber Blaeser-Wardzala and I communicated via email about the importance of Indigenous voices telling Indigenous stories, why Natives rarely focus on one art form, and how younger generations perceive old school representation like Dances with Wolves.

Our conversation below has been edited and condensed for clarity.

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