8 Books About Radical Living and Creative Communities

8 Books About Radical Living and Creative Communities

My debut novel, Temporary Palaces, centers around a short-lived illegal squat in Ottawa, the city where I grew up. In part, it is a tribute to a real squat opened by activists in 2002. Their goal was to bring attention to an emerging housing crisis that, now, twenty-plus years later, has become endemic to the city and has come to define urban life across North America.

The fictional squat is just one of the many creative solutions to cheap living that form the backdrop for the punk, art, and activist communities that populate Temporary Palaces. Sprawling industrial lofts-turned-artist studios, communal punk houses, urban campsites on the secret fringes of downtown, ephemeral concert venues and art installations. These spaces mirror places I lived and frequented. A series of cheap lofts and apartments in post-referendum Montreal allowed me to dedicate time to working on my zine Ghost Pine – which is how I became a writer. 

Creativity requires space, and time. Inexpensive living goes hand in hand with new movements in art and enables the conditions for political ferment. From a Booker-winning novel to surreal graphics, on this list I recommend titles that feature (or were created within) alternative living arrangements and forms of community-making, most with a punk or anarchist bent.

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Erin Van Der Meer on The Scoop, Tabloid Journalism, and the Ethics of Media

Erin Van Der Meer on The Scoop, Tabloid Journalism, and the Ethics of Media

Erin Van Der Meer’s The Scoop is a piercing look at the horrors of celebrity tabloids, turned on its head: the call is coming from inside the proverbial house, here, as we follow the downward spiral of laid-off journalist Frankie. A once-praised New York journalist, Frankie finds herself washed up in a sea of rejections as she looks for work – any work –  after being let go from her glossy magazine job. 

When her desperation becomes dire, Frankie is offered a position at The Scoop, a clickbait-fueled tabloid. As she joins the ranks as a night editor, Frankie finds the night desk is a constant churn of distasteful fodder, yet her unquenchable thirst for achievement pulls her deeper into her quest for the kind of career she watches her old friends and colleagues achieve. The Scoop asks just how far Frankie must be willing to go to rise up the journalism ranks – and at what cost?

I spoke with Erin about her writing life, her transition from journalism to fiction, and how The Scoop came to be. 

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Gabrielle Sher, author of Odessa, is always inspired by Mary Shelley and Shirley Jackson

Gabrielle Sher, author of Odessa, is always inspired by Mary Shelley and Shirley Jackson

In Odessa, Gabrielle Sher introduces Yetta, a restless teenage girl coming of age in a shtetl shadowed by fear, where disappearances and whispered violence press in on daily life. After a brutal attack leaves her dead, her father turns to forbidden texts and uncertain magic to bring her back, but what returns is not entirely the daughter he lost. As Yetta begins to sense the truth of what she has become, the novel unfolds into a haunting story of grief, identity, and the consequences of trying to reverse the irreversible.

We asked Sher to answer our recurring My Reading Life Q&A so readers could get to know the books that shaped her life and influenced her writing.

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Five Adventure Books Where the Journey Is About Humility Recommended by Ailsa Ross

Five Adventure Books Where the Journey Is About Humility Recommended by Ailsa Ross

I thought this was going to be an essay about how adventure books help me sleep (I find it terribly difficult to sleep), but as I was choosing which books to include, I realized something else bound these books: there is a wisdom to the authors. Their stories – which range from raising orphaned grizzly cubs in Russia to meditating alone in a Himalayan cave for over a decade – tend to start from a place of fear: fear of solitude, of discomfort, of cold weather, of shoddy bedding and meager rations and avalanches and wildfires and poachers and all the sorry and terrifying things of the world. But over time, that fear becomes acceptance, and love, for the world as it is. That is freedom, to be humbled by the world until one truly feels one’s connection to it. 

But what does this have to do with my debut novel Hovel, where the narrator is living in the mountains but not exactly raising grizzly cubs? (Her job involves editing internet videos of kittens doing cute things.) Really, she is not feeling so connected to the world. Yet that changes as she embarks on the smallest of adventures – cooking by candlelight, peeing in the woods, foraging in places where foraging definitely isn’t allowed. It is transgressive, in this day and age, to do even these small things. Yet adventure books like the following make me believe probing the world from as many new angles as possible does have meaning.

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Question & Agent: Mariah Stovall of Trellis Literary Management

Question & Agent: Mariah Stovall of Trellis Literary Management

Welcome to Debutiful’s Agent Week! We gathered some of our favorite literary agents representing the most exciting debut books and asked them questions about what makes them love a submission, their agenting style, and the books they’re working on.

Mariah Stovall is the author of I Love You So Much, It’s Killing Us Both, one of Debutiful’s Best Debut Books of 2024 (and our conversation remains a Top 10 most-listened to podcast episode in our history). She’s also a literary agent with Trellis Literary Management, where she represents everything from literary and upmarket fiction to narrative nonfiction covering arts, history, STEM, linguistics, sports, and philosophy, including Oye by Melissa Mogollon, another Best Debut Book of 2024.

We dug into a long list of what pitches are oversaturated, how publishing isn’t meritocracy nor a circle jerk, and how she balances writing fiction as an author and representing it as an agent.

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Question & Agent: Emma Dries from Triangle House

Question & Agent: Emma Dries from Triangle House

Welcome to Debutiful’s Agent Week! We gathered some of our favorite literary agents representing the most exciting debut books and asked them questions about what makes them love a submission, their agenting style, and the books they’re working on.

Emma Dries is a writer and editor whose work has appeared in Outside, Lit HubBookforum, and Dwell. As an agent for Triangle House, her clients have published at imprints including. Alfred A. Knopf, Doubleday Books, and Ecco. The first book she sold was the debut breakout The Hounding by Xenobe Purvis.

We dug into what stands out in query letters, her approach with editorial as an agent, and why climate fiction is so important.

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Che Yeun, author of Tailbone, wishes she read more 19th and 20th century Korean history as a teen

Che Yeun, author of Tailbone, wishes she read more 19th and 20th century Korean history as a teen

Che Yeun‘s debut novel, Tailbone, follows a teenager who runs away from her abusive home to live in a boarding house for single women as a global financial crash threatens the people of Seoul. Heralded by the great Alexander Chee as an “unforgettable debut novel,” Yeun’s book finds hope in the darkest moments.

Her short has previously appeared in GrantaAGNIVirginia Quarterly Review, and The Kenyon Review Online. Outside of fiction, she earned a PhD in History of Science at Harvard University, and is currently a professor of History of Science & Technology at Texas A&M University.

We asked Yeun to answer our recurring My Reading Life Q&A so readers could get to know the books that shaped her life and influenced her writing.

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