Read an excerpt from Strange Girls by Sarvat Hasin

Read an excerpt from Strange Girls by Sarvat Hasin

The following is an excerpt from Strange Girls by Sarvat Hasin. She is a novelist and dramaturg from Pakistan who currently lives in London. She received her masters in creative writing from the University of Oxford and has published three award-winning and bestselling novels. Her next novel, Strange Girls, is her US debut.

Strange Girls is about two estranged friends who are forced to reunite over one feverish weekend and reckon with the choices that tore them apart. It is now available from Dutton.

You can listen to an audiobook excerpt of the book at the bottom of this article. The audiobook is available for purchase here.

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5 fantasy books about coming-of-age in your 20s, recommended by U. M. Agoawike

5 fantasy books about coming-of-age in your 20s, recommended by U. M. Agoawike

What do bildungsroman, and—dare I say—shōnen have in common? They tend to focus on teenagers (at least to begin with) because that’s kind of the whole point of coming-of-age. These stories showcase the internal journey of a character as they grow, transition, and mature into adulthood—however it is you define adulthood. But you never really stop growing up, in a sense, so what about those who have already reached the so-called pinnacle of adulthood? Those who feel cursed to a later sort of maturation where you’re simultaneously too old to not have your shit together but too young to face the world you were meant to have prepared for in the coming-of-age you missed out on. An adultescense, if you will. If that sounds a little targeted—believe me, it is, but only because I get it.

With the 2020s having essentially stunted the growth of a generation, many readers in their 20s, and even 30s, don’t feel like adult-adults. As Millennials used to say (don’t quote me on the slang though), adulting is hard. We may not have to tame dragons or slay ancient evils, but struggling with shitty jobs, ill-fitting romantic relationships, and a world that does not want us to succeed feels almost as difficult. Put simply: this decade hasn’t just cooked us—we’re fried, mentally and physically. So why not seek out books that recognize, commiserate with, and lay out the cold hard facts of that reality in fantastical settings?

The thing about being in your 20s these days is that it’s like being a teenager except double the stress and pass it on. In my case, I chose to pass it on to the characters of Black as Diamond.

An epic fantasy set in a dark but hopeful world, Black as Diamond is as much about the literal journey to break a curse as it is about self-discovery—or, rediscovery in your twenties. The story centers on Asaru—a dour, standoffish, and socially inept warrior—sent to find his missing brother, who winds up summoned by Wren, a reckless healer playing with dangerous magic. Now inextricably bound, the pair are forced on the run as they attempt to break a fatal curse—or die trying.

Throughout the story, characters undergo deferred self-realizations: Asaru as he battles the curse consuming him, Wren as he struggles with the weight of his mistakes, Palenisa as she tries to atone for a choice she never wanted to make, and Rishé as obsession threatens to overwhelm her common sense. When writing Black as Diamond, it was important for me to craft characters who make a right mess of things and deal with the same types of consequences you would find in most coming-of-age tales. Because, as stated earlier, you never stop growing up.

I once saw a post in the endless scroll of Tumblr that argued mid-life crises actually take place in your twenties because of the nature of modern life and the mess that goes on when you’ve been of age for years but your mind still lags catching up to that fact. While I can’t say I agree with that sentiment today, I’m sure it’s one a few characters from the books below would understand completely.

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Seven Books That Walk the Borderlands Between Human and Non-Human, Recommended by Jarod K. Anderson

Seven Books That Walk the Borderlands Between Human and Non-Human, Recommended by Jarod K. Anderson

I have a lot of fun questioning distinctions, definitions, and binary thinking in my debut contemporary fantasy novel Strange Animals. What is the difference between monster and animal, science and magic, humanity and nature? What happens when such questions stop being academic and show up in the aftermath of a fatal accident to trade you an acorn for the moment of your death? Boundaries that once seemed black-and-white start to become much less trustworthy. 

My love of slippery categorization was especially clear when we discussed my novel’s defining characteristics and the word “creepy” was paired with “cozy,” and “fantasy” stood alongside “nature-writing.” I’m perfectly happy with this. Most ideas that feel true to me carry at least a hint of paradox; many of the characters I love in fantasy and sci-fi are the same.

As a lifelong nature-nerd, I can feel a tingle of kinship resting my hand on a patch of moss or watching a gray catbird flit through the branches of my neighbor’s black walnut tree. That feeling of kinship hints at a broader, unifying characteristic of life that transcends both diversity of form and our many methods of survival in this big, strange, living world we share. 

So, narrow portrayals of humanity’s essential place in the universe feel kinda superficial to me, especially in the context of Earth’s breathtaking biodiversity and the many enduring mysteries of our interconnected planet. I think that’s one reason I’ve always been drawn to speculative fiction; these are stories that can sniff out truths beyond the restrictive confines of bare fact.

Give me stories in which “human” is a fluid concept and non-human doesn’t mean lacking agency, personality, or dignity. In this vein, here are seven books that explore and complicate definitions of humanity and personhood by visiting the outer boundaries of such terms. 

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Kate Schatz read sociopolitical and historical nonfiction to ground Where the Girls Were

Kate Schatz read sociopolitical and historical nonfiction to ground Where the Girls Were

Kate Schatz, known for co-writing the New York Times bestselling author of Do the Work: An Anti-Racist Activity Book with W. Kamau Bell and the Rad Women book series, is back with her debut solo novel.

Where the Girls Were is about a promising 17-year-old in 1968 whose carefully planned future collapses when an unexpected pregnancy sends her to a home for unwed mothers. Inside the restrictive world of the maternity home, she confronts shame, limited choices, and societal judgment while finding solidarity and strength among the other girls forced into silence.

We asked Schatz to answer our recurring My Reading Life Q&A so readers could get to know the books that shaped her life and influenced her writing.

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See the cover for All This Want (and I Can’t Get None) by T Clark

See the cover for All This Want (and I Can’t Get None) by T Clark

T Clark is a writer whose short fiction have appeared in  Joyland, The Kenyon Review, American Short Fiction, The Offing, and Fourteen Hills. They received their MFA from Indiana University and support from Omi International Arts Center in Ghent, New York; the Fine Arts Work Center in Provincetown; the Lambda Literary Foundation; the Elizabeth George Foundation; the Wisconsin Institute for Creative Writing; and the Vermont Studio Center.

Their debut story collection All This Want (and I Can’t Get None)  explores the feverish hunger and dizzying pleasure of girlhood and queer coming-of-age in a small town. It will be published by One World on June 23, 2026 and is available for pre-order now.

Debutiful is honored to reveal the cover, which was designed by Michael Morris, along with a Q&A with Clark about its creation below.

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See the cover for Vile Lady Villains by Danai Christopoulou

See the cover for Vile Lady Villains by Danai Christopoulou

Danai Christopoulou is Greek author raised on a diet of myths and tragedies. Their writing has been nominated for a Pushcart Prize and for a Best of Small  Fictions and has appeared in Glamour, Marie Claire, khōréō, Fusion Fragment, Flame Tree  Press, and Writer’s Digest.

Their debut book, Vile Lady Villains, is forthcoming on May 12, 2026, from Union Square Press. It is a queer, gothic horrormantasy where Lady Macbeth and Klytemnestra are thrown together after a witch’s potion pulls Lady Macbeth into a strange realm of stories. Hunted across worlds and pursued by supernatural forces, the two infamous killers form a fragile alliance. As their bond deepens, they must decide whether to return to the tragedies that defined them or destroy the stories that bound them.

It is available for preorder now.

Debutiful is excited to reveal the cover, which features art by Andreea Dumuta and design by UNSQ’a Art Director Patrick Sullivan, along with a short essay by Danai Christopoulou about Vile Lady Villains.

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Scott Broker on The Disappointment: Grief, Art, and the Brutal Honesty of Love

Scott Broker on The Disappointment: Grief, Art, and the Brutal Honesty of Love

Life is anticipation.  Are the moments that shape our lives the result of our own actions?  Or are they the culmination of the long-dammed reservoirs of other peoples’ desires:  The delayed dreams of parents.  The yearnful longings of spouses.  The anxiety-fueled goals that drive individual pursuit of fame, fortune, and fulfillment.  Welcome to The Disappointment, Scott Broker’s debut novel, a portrait of a couple navigating the emotional minefields of incapacitating grief amid the burdensome responsibilities (demands?) of love.  Partners for more than a decade, over a weekend trip Jack and Randy confront death, fame, and infidelity, questioning their affection and loyalty for each other while they simultaneously, systematically (and sometimes brutally) deconstruct the choices they’ve made about the trajectory of their relationship and artistic careers.  The interiority of their conflicts is intimately wrought, painful in its delicacy and brazenly, bravely human.  The novel is replete with moments of their tender fondness for each other, but also offers perspective on the complicated, at times horrific, honesty of love from those who supposedly know – and love – us the most.  Scott and I spoke via email.  This interview has been edited and condensed for clarification.

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Meet Simon Nagel, Winner of the Black List’s Unpublished Novel Award

Meet Simon Nagel, Winner of the Black List’s Unpublished Novel Award

The Black List recently announced the seven winners of its inaugural Unpublished Novel Award, introducing the world to seven writers across various genres from children’s and young adult fiction to adult crime, horror, and literary fiction.

Debutiful recently chatted with all seven winners and is excited to introduce the world to each writer, discover why and how they write, and learn more about the book that won them the award.

Meet Simon Nagel, winner of the Science Fiction & Fantasy award for his manuscript, Gates To Nowhere. Nagel is a writer of many talents. He has written film and television scripts, published short stories, become a passable poet, written two books, performed a one-man play, and created the world’s first choose-your-own-adventure martial arts saga.

We asked Nagel to give readers a brief insight into his writing life and his Unpublished Novel Award-winning manuscript, Gates To Nowhere.

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Meet Jessica Ellis, Winner of the Black List’s Unpublished Novel Award

Meet Jessica Ellis, Winner of the Black List’s Unpublished Novel Award

The Black List recently announced the seven winners of its inaugural Unpublished Novel Award, introducing the world to seven writers across various genres from children’s and young adult fiction to adult crime, horror, and literary fiction.

Debutiful recently chatted with all seven winners and is excited to introduce the world to each writer, discover why and how they write, and learn more about the book that won them the award.

Meet Jessica Ellis, winner of the Romance award for her manuscript, We Meet Again.

We asked Ellis to give readers a brief insight into his writing life and her Unpublished Novel Award-winning manuscript, We Meet Again.

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Oliver Munday is a Graphic designer, Creative Director, Fiction Writer, and the Head of Household

Oliver Munday is a Graphic designer, Creative Director, Fiction Writer, and the Head of Household

If you don’t know Oliver Munday‘s name, you’ve most certainly seen his work. He designed Colson Whitehead’s cover for The Nickel Boys. Eli Bautman’s The Idiot cover. The Cover for Thick by Tressie McMillan Cottom. He’s also the former associate creative director at The Atlantic.

Now, he’s released his debut story collection, Head of Household, which explores the evolving role of fatherhood in contemporary life. Many a book about motherhood recently has become Debutiful favorites (The School for Good Mothers, The Nursery, Nightbitch), but this is the first book about fatherhood to catapult into the pantheon of must-read debuts. Munday’s grasp on character, emotion, and scene will extend to the reader. He’ll hold you tight as you navigate the lives of these fathers.

We chatted with Munday via email to learn about his journey to becoming a writer, why he wanted to write about fatherhood, and what it was like to have a book cover designed for him instead of by him.

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