My Reading Life: And I’ll Take Out Your Eyes author A.M. Sosa wants everyone to read Hurricane Season

My Reading Life: And I’ll Take Out Your Eyes author A.M. Sosa wants everyone to read Hurricane Season

A.M. Sosa is a queer Mexican-American whose work has appeared in Zyzzyva and the Santa Monica Review and they received an MFA from UC Irvine. Their debut novel, And I’ll Take Out Your Eyesis an explosive coming-of-age set in Stockton, Calif., in the early 2000s.

We asked Sosa to answer our recurring My Reading Life Q&A so readers could get to know them and the works that shaped their life.

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See the cover for Living, Together, an essay anthology edited by Samantha Paige Rosen

See the cover for Living, Together, an essay anthology edited by Samantha Paige Rosen

What is a home? That is what writer and editor Samantha Paige Rosen sought to answer in the essay anthology, Living, Together: Reimagining Community in the Age of Disconnection. In it, over twenty writers explore found family, hacking adulthood, and other lessons communal living can teach us about the future of housing in America. It is set to be published on July 14, 2026, by Beacon Press and is available for pre-order now.

Rosen, whose writing on identity, the arts, and culture has appeared in the Washington Post, Harper’s Bazaar, Slate, Them, BOMB, and Literary Hub, earned her MFA from Sarah Lawrence College and currently lives outside of Philadelphia.

The anthology features essays and interviews from:

  • Mary Anne Adams
  • Alex Alberto
  • Kristen Arnett
  • Elizabeth Hart Bergstrom
  • Rodney M. Bordeaux
  • Suanne Carlson
  • Rhaina Cohen
  • Jonathan Escoffery
  • Hank Gamel and Fran Biederman
  • Simone Gorrindo
  • Hannah Grieco
  • Tiffany Harris
  • Gabrielle Korn
  • Amanda E. Machado
  • Sarah Thankam Mathews
  • Dani McClain
  • Adam Meyer
  • Jake Montano aka Imelda Glucose
  • Kim Stanley Robinson
  • Adam Vitcavage
  • Kate Madden Yee

Debutiful is honored to reveal the anthology’s cover, designed by Beacon Press creative director Carol Chu and featuring artwork by Ilia Panfilov, along with a Q&A with Rosen about its creation.

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13 Works of Sapphic Asian Historical Fiction by Wen-yi Lee

13 Works of Sapphic Asian Historical Fiction by Wen-yi Lee

Queer historical fiction always feels particularly powerful to me because it’s the author saying we have always been here. It’s laying claim to the canon. It’s a tether to the past and all those who have come before you. It also tends to ask about intersectionality. By often taking place in significant historical moments–in this list, there are independence movements, occupations, racial segregations, and martial laws–it can explore how the characters are shaped by multiple sets of politics and identities.  

My first adult novel, When They Burned the Butterfly, is about the rapid transformations of postcolonial Singapore in 1972–just a few years after independence in 1965–and the increasingly throttled Chinese secret societies who, in this alternate history, draw magic from gods. Specifically, the book follows a girl gang called Red Butterfly who follow a fire goddess, and the schoolgirl that becomes entangled with one of its leaders after the violent death of her mother. 

It’s a coming-of-age and creation of an identity for both the nation and for Adeline, the lesbian schoolgirl, who loses her only parent but gets adopted into a found family and falls in love, even as the pressures of the underworld and the changing city threaten to take all that away, too. It’s a love letter to my home as much as it is a critique and an exploration of its survival anxiety; it’s also a nod to queer history and reclaiming the nation-building story, in a way.  

I’m particularly interested in histories featuring queer Asian women — a trifold intersection that’s difficult to find. Even putting together this list required some excavating, as I realized I had to especially search for books that featured a wider range of settings and cultures. 

Here are thirteen other works of historical fiction featuring bisexual, lesbian, and otherwise sapphic Asian characters, ascending through time, space, homeland, and diaspora.

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Read an excerpt from I Make My Own Fun by

Read an excerpt from I Make My Own Fun by

The following is an excerpt from I Make My Own Fun by Hannah Beer. She is a writer from North West England, currently living in London, and writes the newsletter Emotional Speculation

I Make My Own Fun is about an A-List movie star named Marina who is secretly the worst. Things spiral out of control when she meets a bartender who isn’t interested in her and then Marina begins to make desperate overtures. It is now available from Anasi International.

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My Reading Life: Christian Moody is Lost in the Forset of Mechanical Birds

My Reading Life: Christian Moody is Lost in the Forset of Mechanical Birds

Christian Moody, author of the debut story collection Lost in the Forst of Mechanical Birds, has had his work appear in Esquire, Alaska Quarterly Review, The Cincinnati Review, the Best New American Voices anthology, and the Best American Fantasy anthology. He lives in Indianapolis and works as Brand Director for an e-commerce company.

In his collection, he writes about climate change, surveillance, privacy, and technology. Mechanical Birds was the 2023 Dzanc Short Story Collection Prize winner.

We asked Moody to answer our recurring My Reading Life Q&A so readers could get to know him and the works that shaped his life.

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My Reading Life: Herculine author Grace Byron loves Wicked for the gay sex

My Reading Life: Herculine author Grace Byron loves Wicked for the gay sex

Grace Byron is a writer and critic whose work appeared in The New Yorker, New York Magazine, The Nation, and Vogue. Her work has explored topics ranging from what the current administration’s policies mean for trans travelers and their passports, gun ownership in the trans community, and the state of trans healthcare.

Her debut novel, Herculine, is about a woman who seeks refuge at an all-trans commune in rural Indiana, only to discover buried secrets that force her to face her own demons and the ones she was running from.

We asked Byron to answer our recurring My Reading Life Q&A so readers could get to know her and the books that shaped her life.

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See the cover for The Summer My Mother Had Green Eyes by Tatiana Țîbuleac

See the cover for The Summer My Mother Had Green Eyes by Tatiana Țîbuleac

Tatiana Țîbuleac is an award-winning Moldovan-Romanian author whose novels have been translated into 17 languages. A former journalist and UNICEF staffer, she now lives in Paris. Her latest book, The Summer My Mother Had Green Eyes, was translated from Romanian by Monica Cure, a Romanian-American writer, translator, and two-time Fulbright recipient and winner of the 2023 Oxford-Weidenfeld Translation Prize.

This novel, which will be published by Deep Vellum on January 13, 2026, traces Aleksy’s return to the pivotal summer he spent with his mother in rural France, when her revelation of a terminal illness forced them to confront old grief and unspoken tensions. Fourteen years later, through memory and therapy, he revisits those months of fragile reconciliation. Intimate and tender, it explores family, loss, and the difficult work of forgiveness.

Debutiful is honored to reveal the cover, featuring a painting by Cecilia Omara and design by Jen Blair, along with a Q&A with Țîbuleac and Cure about its creation.

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Aisha Muharrar interviews Aisha Muharrar

Aisha Muharrar interviews Aisha Muharrar

In every interview, I like to ask writers, “Is there a question you’d like me to ask?” I’m always surprised by the types of questions they’d want to ask themselves, so I decided to take the idea of the self-interview and give writers some restraints.

One. Use Who/What/When/Where/Why-ish questions.

Two. Have fun.

Today, we have Aisha Muharrar, an Emmy-award-winning writer and producer whose debut novel, Loved One, is out now. Before writing her debut book, she has worked on shows like HacksParks and Recreation, and The Good Place. In her debut novel, Muharrar follows a woman who travels from Los Angeles to London to recover her late best friend’s belongings and clashes with the guarded woman who refuses to give up his beloved guitar. It’s hilarious and heartwarming, and truly a delight to read.

Let’s turn it over to Aisha Muhrarrar.

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See the Cover for Entomology of the Pin-Up Girl by Lauren E. Osborn

See the Cover for Entomology of the Pin-Up Girl by Lauren E. Osborn

Lauren E. Osborn‘s Entomology of the Pin-Up Girl is the winner of the 2024 Dzanc Short Story Collection Prizeand is set to be published by Dzanc on May 12, 2026. It is now available for pre-order.

Upon announcing the prize in December 2024, Dan Wickett, Dzanc’s co-founder and founder of the Emerging Writers Network said of the short story collection, “The title of Lauren Osborn’s collection leads you to the works inside Entomology of the Pin-Up Girl. Insects and girls and women drive every one of the stories in this exciting collection. Osborn utilizes each odd scenario to dig into the human condition. This collection nicely continues Dzanc’s publishing of story collections full of surprises and scenarios one rarely finds in stories today.”

Debutiful is honored to reveal the cover, which was designed by Jenny Eickbush, along with a Q&A with the author about how the picture-perfect cover was created.

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See the cover for Woodwind Harmony in the Nighttime by Reza Ghassemi

See the cover for Woodwind Harmony in the Nighttime by Reza Ghassemi

Reza Ghassemi’s debut novel, Woodwind Harmony in the Nighttime, was first published in 1996 and went on to win several literary awards in its original Persian. Now, Deep Vellum is publishing it in English for the first time. Michelle Quay, who co-edited Routledge Handbook of Persian Literary Translation, was tasked with translating the novel from Persian.

Coming out on March 17, 2026, the book is about an Iranian exile in 1990s Paris whose live unravels into a surreal mystery. The book is now available for pre-order.

Debutiful is honored to reveal the cover, designed by Elisha Zepeda, along with a Q&A with Michelle Quay about how the American cover of this Persian classic came to be.

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