Beyond the Perfect Victim: Amber Blaeser-Wardzala Discusses Another Name for Red

Beyond the Perfect Victim: Amber Blaeser-Wardzala Discusses Another Name for Red

Amber Blaeser-Wardzala’s Another Name for Red has some of the most harrowing fiction I’ve ever read. The hyper-sexualization of Native women is a blight woven into American culture, and a Native author allowing a female Anishinaabe protagonist to make reckless choices in this atmosphere feels revelatory. Blaeser-Wardzala shifts the onus of bad behavior where it belongs – on men.

Folks in NDN Country will love to see themselves in these pages; from stray dogs to rez nicknames to arguments over what it means that red is the only color spirits can see, Another Name for Red feels like home in a way very few books do. Non-Natives will love reading it for the same reason, catching a slice of rez life from an insider’s point of view. This literary thriller pulled me forward with one simple question: where is Oldest Sister?

Amber Blaeser-Wardzala and I communicated via email about the importance of Indigenous voices telling Indigenous stories, why Natives rarely focus on one art form, and how younger generations perceive old school representation like Dances with Wolves.

Our conversation below has been edited and condensed for clarity.

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Inside the Collection: Adam O’Fallon Price Dissects Objects of Desire

Inside the Collection: Adam O’Fallon Price Dissects Objects of Desire

What makes a great short story collection? In Debutiful’s latest Q&A series, Inside the Collection, short story writers will take readers through their writing, editing, and sequencing of their debut short story collection.

In Objects of Desire, Adam O’Fallon Price delivers an unflinchingly honest and darkly funny collection exploring the restless longings, complicated relationships, and unfulfilled desires that shape our lives. From a resentful brother confronting the responsibility of donating bone marrow to his dying sibling to a struggling artist whose search for his missing dog leads him into danger and a college soccer player wrestling with childhood trauma and resentment toward her mother, these stories follow characters whose desires push them toward unexpected and often irreversible consequences. Winner of the Autumn House Press Fiction Prize, selected by Alexandra Kleeman, Objects of Desire examines the distance between what we want and what we need, and the ways our own impulses can lead us astray. Price is also the author of two novels, The Grand Tour and The Hotel Neversink, the latter of which won the 2020 Edgar Award for Best Paperback Original. His fiction has appeared in Harper’s, The Paris Review, Granta, The Kenyon Review, and elsewhere. He lives in Carrboro, North Carolina, and teaches fiction writing at the University of North Carolina.

In our latest Inside the Collection Q&A, Price takes readers inside his debut short story collection, Objects of Desire.

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See the cover for All Good Men by Libby Flores

See the cover for All Good Men by Libby Flores

All Good Men, the debut short story collection by Libby Flores, is an unflinching exploration of masculinity, vulnerability, and the consequences of the choices men make. Across stories of love, betrayal, parenthood, and violence, Flores inhabits the inner lives of men at their most unguarded, challenging the expectations and power dynamics that shape their relationships.

Flores is a writer whose work has appeared in The New Yorker, One Story, Ploughshares, Tin House, and elsewhere. All Good Men will be published by Unnamed Press on April 6, 2027, and is available for pre-order now.

Debutiful is honored to reveal the cover of All Good Men, designed by Yannick Scott. Below, Flores discusses her love of 1970s paperback aesthetics, her vision for a text-only cover, and how Scott used typography, movement, and shadow to create a design that invites readers to look beneath the surface.

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Lee Bains Examines Southern Traditions, Memory, and Community in Work Lunch

Lee Bains Examines Southern Traditions, Memory, and Community in Work Lunch

Work Lunch by Lee Bains is a captivating debut book of poetry that centers food as much more than sustenance – it is communication between worlds. A palimpsest of experiences and history, these poems seat us at his very specific tables and plates of food, then draw concentric circles to connect us to our own tables, our own plates, and the universal considerations of all plates. Through the journey of food, his poems portray vanishing landscapes, and what takes their place. At the same time, Bains creates a new and different lens through which to see Southerners: like his Granddaddy, in Salad, whose “…eyesight had dimmed,/” but whose “vision had grown clearer./”.

These poems give us the South as “the confluence of seasonings and knowings from/”. He showcases a melting pot that many want to, in turns, erase, co-opt, redefine in their own likeness. In Salad, Bains takes responsibility for himself and declares “…if words weren’t filled with good spirits,/charged with grace, humbled in not knowing,/they could do unspeakable horror./” – one of many lessons from his Granddaddy, who pinched and pulled to arrive at this place of himself.

Bains shares observations about how the sanitization of culture through convenience can cause us to lose the purity of dirt. He builds a bridge between past and present and somehow builds hope. Like grief – Bains speaks names to keep memories alive. These foods, the places, and people who give life to the food and allow for solidarity and humanity.

Like dough, words are “pinched and pulled” into biscuits of delicious stories. He kneads facts between Birmingham and Atlanta, economics and necessities, those who compromise/acquiesce/surrender and those who don’t, into loaves of unconditional love made from the history of an environment and the hard truths that live in the everyday of that environment. He shares ideas about how repackaged culture out-prices the people who bring that culture to life and asks: do we turn into the skid of change or curse it out and resist? The language is lyrical, accessible and brilliantly crafted.

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Read an excerpt from Good Guys by Mindy Misener

Read an excerpt from Good Guys by Mindy Misener

The following is an excerpt from Good Guys by Mindy Misener. She grew up in Maine and graduated from Williams College and the University of Michigan’s Helen Zell Writers’ Program. After teaching college writing for ten years, she enrolled in Yale Divinity School. Her prose has appeared in The Missouri Review, The Common, Image, and other publications.

Good Guys follows Georgie and Jo, two estranged sisters living in a small New England town in 2008. When Gary Clemmons, a celebrated hometown hero and the brother of Georgie’s secret girlfriend, dies in the Iraq War, Georgie discovers a disturbing secret about his past. As the sisters become entangled in the fallout, their family and community are forced to confront the darker sides of patriotism, masculinity, and religious devotion. It is available now from Melville House.

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See the cover for Minton Manor by Mollie Hawkins

See the cover for Minton Manor by Mollie Hawkins

Minton Manor, the debut novel by Mollie Hawkins, explores complicated family dynamics, manufactured realities, and the unraveling of a seemingly perfect world. Centered on a family and their grand estate, the novel explores what happens when the foundations of a carefully constructed life begin to crumble.

Minton Manor will be published by Blair on April 13, 2027.

Debutiful is honored to reveal the cover of Minton Manor, designed by Jason Heuer. Below, Hawkins discusses drawing inspiration from films like The Royal Tenenbaums and Parasite, her fascination with houses and dysfunctional families, and how the final design captures a family desperately trying to hold on as their world comes apart.

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6 Appalachian Books that Explore Mental Illness, Recommended by Erin Miller Reid

6 Appalachian Books that Explore Mental Illness, Recommended by Erin Miller Reid

For me, creeks are thin places, where the barrier between the physical world and the spiritual world attenuates, where the boundaries between god, ghost, and human disappear and the tethers between past, present, and future blur. Creeks: the clear tinkling sound of water rippling forward, hidden worlds under smooth, wet stones, ancient watering holes. Creeks: the ever-present threat of flood with each storm, the potential to drown a town after a night of heavy rainfall. The Appalachian Mountains are filled with creeks winding their way through the mossy beds of forests, through cow pastures and tobacco fields, through backyards, and behind strip malls in a dualistic path of peace and threat. 

I’d posit that Appalachian creeks are a metaphor for mental health—introspection and outward projection in precarious balance, inner peace and chaos in limbo, a yin and yang of the physical self and the spiritual. My novel, But For Fortune, tells the multi-generational story of two Kentucky women, Corinth and Mary Esther, who wrestle with mental illness in vastly different ways decades apart. Like the creeks of Appalachia, and like the many Appalachians suffering from psychiatric illness, the experiences of Corinth and Mary Esther are nuanced and their potentials are manifold; the same holds true for the narrators and main characters of the books I recommend below. Like the creeks of Appalachia, their stories ring tender, but also roar. 

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Franny Choi’s We Radiant Things Asks Who Gets to Be Human

Franny Choi’s We Radiant Things Asks Who Gets to Be Human

In her essay collection, We Radiant Things: Notes on Being Alien and Becoming Cyborg, Franny Choi interrogates the common metaphor that likens Asians to robots, exploring how this trope has impacted her life, her identity, and even her experience of pleasure. By critiquing cultural touchstones from Terminator 2 and Battlestar Galactica to The Flaming Lips and beyond, Choi grapples with what makes us human and how to envision a better world without repeating the mistakes of the past.

I spoke with the writer over Zoom. We talked about how they balance social justice organizing with the demands of their day job, the value of dissociation, the transition from writing poetry to nonfiction, and why we all need to be very specific in our opposition to AI.

This conversation has been edited and condensed for clarity.

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Carrie Lee South on writing terror for her novel In the Woods They Wait

Carrie Lee South on writing terror for her novel In the Woods They Wait

Carrie Lee South’s In the Woods They Wait is a suspenseful novel with horror elements, astute prose, and emotional heft. The book opens in 2004 when Audrey Figg is a teenager tasked with watching her younger brother. He disappears into the woods of Devil’s Den State Park within the Ozark Mountains. Fifteen years later, Audrey is a park ranger in the same woods, and a little girl goes missing, echoing her brother’s disappearance. 

The author drew on her own sibling loss to imbue the book with the complexity of grief and the terror of loss. It is a suspenseful novel with line-level precision. South’s description of setting is also forceful, and the natural world is a presence throughout her debut novel. 

I spoke via email with South about writing suspense and twists, her own connection to the Ozarks, and the influences that informed her horror novel In the Woods They Wait.

This interview has been edited and condensed for clarity.

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See the cover for Bodies of Water by Rebecca Winterich-Knox

See the cover for Bodies of Water by Rebecca Winterich-Knox

Rebecca Winterich-Knox’s debut novel, Bodies of Water, is a gothic domestic drama about grief, betrayal, and the secrets that surface when two families reunite at an ancestral seaside estate. Set over one week on the Massachusetts coast, the novel follows seven characters reckoning with loss, shifting relationships, and the histories that bind them together.

Winterich-Knox holds an MFA from Columbia University and lives in Brooklyn. Bodies of Water will be released by Zando on June 15, 2027. It is available for preorder now.

Debutiful is honored to reveal the cover of Bodies of Water, designed by Ash Tsai. Below, Winterich-Knox discusses drawing inspiration from the New England coastline, creating a sense of suspense through landscape, and how two nineteenth- and twentieth-century paintings were transformed into the novel’s stormy seaside cover.

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