How Shasta Grant Turned Loss, Silence, and Friendship Into Her Debut Novel When We Were Feral

How Shasta Grant Turned Loss, Silence, and Friendship Into Her Debut Novel When We Were Feral

When We Were Feral, the debut novel from Shasta Grant, is a restrained, deeply affecting debut novel that asks profound questions about grief, loss, and the ways society assigns blame. Through Maggie, a young girl whose mother abandons her family the same summer another teenager drowns, the novel explores how communities often shun or marginalize those who exist on the periphery of tragedy. As Maggie witnesses the fallout of both losses, she observes who is allowed to grieve openly and whose suffering is considered legitimate.

Maggie balances resentment and longing for her absent mother with an emotional intelligence beyond her years. She recognizes many of the contradictions and injustices around her, even when that insight cannot shield her from her own pain. The novel also examines the lingering effects of trauma through characters such as Sarah’s mother, whose desperate attempts to protect her daughters from an unnamed threat create a claustrophobic atmosphere. In focusing so intensely on preventing future harm, she becomes blind to dangers already present in their lives.

The simplicity of the prose allows tenderness to emerge throughout the story. While the narrative clearly belongs to Maggie, her friends Sarah and Erin feel less like supporting characters and more like different facets of a shared adolescent experience shaped by loss. Their prepubescent uncertainty, intensified by circumstances beyond their control, exposes the fragile connective tissue holding their friendship together.

When Erin’s mother goes missing, Maggie throws herself into helping her friend, transforming the search into a personal mission. Her determination reveals a deeper motivation, like a lost child crying out for a parent in a crowded department store, Maggie is, “calling everyone and no one” – trying to conjure a mother – any mother.  She’s searching for the possibility of a mother who might answer her own longing. That exploration of grief becomes not simply a story about absence, but about the universal desire for connection, protection, and belonging.

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Fancy Meeting You author Louise Marburg wishes she had read Our Bodies, Ourselves as a teenager

Fancy Meeting You author Louise Marburg wishes she had read Our Bodies, Ourselves as a teenager

Louise Marburg‘s debut novel, Fancy Meeting You, follows Laura Harrigan, a middle-aged woman whose life is built on a foundation of carefully crafted lies. Depending on the audience, Laura is a psychiatrist, a business consultant, or the mother of Yale-bound twins, but in reality she’s single, childless, underemployed, and spending many of her evenings at a Baltimore dive bar. Over the course of her fiftieth year, Laura navigates awkward family gatherings, questionable romances, and unexpected friendships, forcing her to reckon with who she is beneath the stories she tells. Funny, sharp, and unsentimental, the novel offers a fresh take on midlife reinvention through a heroine who is neither seeking marriage nor motherhood, but her own version of fulfillment.

Marburg is an acclaimed short story writer whose previous collection received reviews in The New York Times and The Washington Post. At age sixty-five, Fancy Meeting You marks her debut novel.

We asked Marburg to answer our recurring My Reading Life series so readers could get to know the books that shaped her life and influenced her writing.

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Exploring Body, Queerness and Music with The Maidenheads Author Benny Peterson

Exploring Body, Queerness and Music with The Maidenheads Author Benny Peterson

If Kate Bush and Björk had a baby, it would be The Maidenheads, the debut book from Benny B. Peterson. This novel is a queercore punk symphony of the human heart and limbs. Benny and I discuss trans resilience, art, and the soundtrack of our lives. This book is front row to the concert where you are checked out, and move with body and soul. We dive deep into queer history, and hope for the trans youth of today. 

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Abundance author Hafeez Lakhani wishes he had found The Brief Wondrous Life of Oscar Wao earlier in life

Abundance author Hafeez Lakhani wishes he had found The Brief Wondrous Life of Oscar Wao earlier in life

In Hafeez Lakhani‘s debut novel, Abundance, readers meet two generations of a Muslim Indian family in suburban Miami as they grapple with ambition, faith, and the limits of control in pursuit of the American dream. When sixty-year-old Sakeena refuses a life-saving organ transplant, her husband and children are forced to confront their own choices, compromises, and beliefs about fate. Set against the backdrop of contemporary Miami and the pressures of immigrant family life, Abundance explores the tension between destiny and self-determination.

Lakhani was born in Hyderabad, India, and raised in suburban South Florida. Since then, his writing has helped him earn fellowships from PEN America and the Center for Fiction, he’s been recognized twice with a Notable Essay in Best American Essays, and has been nominated twice for a Pushcart Prize.

Lakhani answered our My Reading Life Q&A so readers could learn the books that shaped his life and influenced his writing.

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Inside The Outer Country: Davin Malasarn on Immigration, Queerness, Family, and the Limits of Belonging

Inside The Outer Country: Davin Malasarn on Immigration, Queerness, Family, and the Limits of Belonging

What does it cost a family to cross an ocean — and who pays the price for generations to come? That is the quietly devastating question at the heart of Davin Malasarn’s debut novel The Outer Country.

The story begins in Thailand, where two sisters have their lives irrevocably split when their parents make the agonizing decision to send only one daughter to America — the foreign land the family calls “the outer country.” When the choice defies expectation, a wound opens between the sisters that time and distance only deepens.

Years later, one sister’s young son, Ben, becomes the center of the family’s unspoken tensions. When signs of gender nonconformity surface in him, a fateful decision is made that will cast a long shadow over his childhood — and set in motion a story about inheritance, silence, and the slow, difficult work of self-becoming. As Ben grows, he must navigate his queer identity, fractured family relationships, and the weight of a past that no one wants to name, moving between Thailand and Los Angeles and eventually to Stanford.

The Outer Country is a book about what we inherit, what we survive, and what it takes to finally tell the truth.

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Mercy Hill author Hannah Thurman wants to read all the Pulitzer fiction winners

Mercy Hill author Hannah Thurman wants to read all the Pulitzer fiction winners

Set in the late 1990s and early 2000s, Hannah Thurman‘s debut novel, Mercy Hill, follows four sisters growing up on the campus of the underfunded state mental hospital where their strong-willed mother serves as head of psychiatry. Richard Russo says it “will stay with you long after you put the book down.”

Thurman, who is based in Brooklyn, was the winner of the Florida Review’s 2023 Editor’s Prize for Fiction, and her stories have been published in The Iowa Review, Michigan Quarterly Review, The Brooklyn Rail, and Southern Indiana Review, among others. She has been chosen for residencies at Yaddo, Ragdale, Vermont Studio Center, and Virginia Center for the Creative Arts.

We asked her to answer our recurring My Reading Life Q&A so readers could get to know the books that shaped her life and influenced her writing.

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Eight Mythology-Inspired Novels That Aren’t Retellings Recommended by Zara Marielle

Eight Mythology-Inspired Novels That Aren’t Retellings Recommended by Zara Marielle

When I was a senior in high school, I was given the option of studying mythology instead of the ordinary twelfth-grade English curriculum, thus igniting a lifelong obsession from which I’ll likely never recover. My goal was to study myths at a higher education level, but when my tiny Canadian university didn’t offer such a course, I signed up for the next best thing: a minor in World Religions. (That course of study resulted in a fascinating archeological dig in the Middle East, but that’s a story for another time.) The point is, I love myths, and I know I’m not the only one. 

My contemporary adult fantasy, The Café of Infinite Doors, repurposes the Celtic mythological character of the Morrígan, a fierce battle-goddess who can see the future and turn into a crow. The book also follows a trapped housewife trying to emancipate herself from a controlling relationship, and believe it or not, the two threads do intertwine, though to find out how you’ll have to read the book! But why are we, as human beings, so obsessed with myths? What is so universally compelling about these ancient stories? 

Naturally, we know that mythological characters are often based on archetypes, representing a societal role or universally recognizable character trait. Gaia the mother. Anansi the trickster. Dionysus the drunk. Is it because these characters still feel relevant and relatable, even thousands of years after they were first created? Regardless of the answer, even the most superficial analysis of publishing trends shows us that contemporary readers are just as eager to consume mythology as ever. Relletings, particularly of the Greek variety, are selling like hot-cakes. (Who came up with this expression? Why hot cakes and not fidget spinners? These are questions for another time.) 

The question I’d like to examine is this: How much of a myth must be present in a work of modern fiction in order to be classified as a retelling? Does the answer lie in the number of plot points preserved from the original? How do you even find the original, when so many ancient cultures shared stories orally? And how does one quantify something as specific as “plot points” if the original source material is vague? Take, for example, characters who appear on the periphery of other characters’ stories, without having a myth of their own. I’m thinking of Greek muses like Urania, a goddess of astrology who sometimes guides others (men) on their quests but seldom appears as a protagonist… For the purposes of this list, I’d like to keep the parameters vague: if a mythological character is present, but their journey does not mirror the source material, I will classify them a work of mythology that is not a retelling. And before you ask: I have nothing against retellings. In fact, I adore them. But they are so popular in the current zeitgeist that they could easily have their own list. I’m sure someone has written one already. My goal is to showcase the broader use of mythology in newer works of fiction instead.

In the spirit of full disclosure, I must confess that I am not an expert in the myths of every culture on the planet. (Wouldn’t that be an amazing flex?) Also, I’m aware that many of us in the “Western world” automatically associate mythology with the stories of Ancient Greece and Rome, which is why I’ve based my list on novels showcasing other traditions, in the spirit of diversity and education. Finally, I’d like to state the obvious: due to the fact that mythology so often contains elements of magic, the books on this list will all fall under the speculative umbrella. So, with all of that in mind, here are eight novels that incorporate mythology without being retellings. 

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Read an excerpt from Wife Shaped Bodies by Laura Cranehill 

Read an excerpt from Wife Shaped Bodies by Laura Cranehill 

The following is an excerpt from Wife Shaped Bodies by Laura Cranehill. She is a writer who lives in the Pacific Northwest with her spouse and three children and has had her writing appear in Strange Horizons, Vastarien, ergot., PANK, and multiple award-winning anthologies. This is her first novel.

Wife Shaped Bodies is about an isolated young bride, raised under rigid rules and covered in fungal growths, who begins to unravel both her body and her beliefs after entering a controlling marriage. As she forms a dangerous connection with another woman, she uncovers buried truths about her community and confronts her own autonomy, desire, and transformationIt is now available from Saga Press.

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