Emilee Hackney on Speaking in Tongues, Trad Wife Culture, and the Other Appalachian Memoir We Won’t Name

Emilee Hackney on Speaking in Tongues, Trad Wife Culture, and the Other Appalachian Memoir We Won’t Name

All That’s Unseen by Emilee Hackney is a powerful coming-of-age memoir, detailing the author’s upbringing in the Appalachian mountains: her radical church background, her family’s struggles with poverty, and the soaring mountains that inspire awe yet seem to keep people from ever leaving the region. As a teenager, Emilee is ensnared in the Pentecostal church (later called a “cult” by her friend) and almost marries a predatory older man, Sam, who uses their shared religion to control her. When she finally breaks away from the church—and from Sam—and attends Harvard, what could be a victorious escape becomes, instead, a new series of trials. Feeling like an outsider in Cambridge, she grows depressed, then turns to sex work and a series of relationships to ease her loneliness. It is only when—bristling at the negative stereotypes she encounters at Harvard about Appalachia—Emilee begins writing that she is able to find her own voice and to reconcile her ambiguous feelings about where she comes from.

Told in elegant prose, All That’s Unseen is a fascinating, thought-provoking memoir that interrogates questions of faith, family, agency, and belonging.

I spoke with Hackney over Zoom. The interview has been edited and condensed for clarification.

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How Andrea Uptmor’s The New People Reimagines Home, Loss, and Belonging

How Andrea Uptmor’s The New People Reimagines Home, Loss, and Belonging

The lives of two families collide in a most intriguing and shocking way in Andrea Uptmor’s darkly delightful debut novel, The New People. Faced with foreclosure and falling victim to the ruse of a real estate scammer, Charlotte and Dirk Deniison lose the place they called home faster than they can gather their belongings. The new owners, Emma and Rachel, settle into the house and what should’ve been a new start to an easy new life, only to discover that things aren’t always what they seem. The New People is a deeply moving novel that explores themes of love, loss, and community, and what it really means to feel at home.

Andrea Uptmor is a writer and editor who received her MFA in Fiction at the University of Minnesota. Her short fiction has been published in McSweeney’s, PANK, and The Masters Review, among others.

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The Many Lives of Lizzie Buehler: Translation, Medicine, and The Obsessed

The Many Lives of Lizzie Buehler: Translation, Medicine, and The Obsessed

There’s a distinct thrill in reading a novel that makes you feel seen, mocked, and entirely transfixed. Lizzie Buehler’s The Obsessed does exactly that, delivering a sharp-witted and offbeat tale of obsession that I devoured in less than twenty-four hours. Adam of Debutiful calls the novel “sad, weird, and horny,” and I imagine most readers will relate to Astrid, the novel’s endearingly neurotic heroine, as she projects her literary and romantic obsessions onto real people.

I had a blast chatting with Buehler about the glorious voyeurism of autofiction, giving yourself permission to drop out of a PhD program, navigating the relentless pressure to produce, and the refreshing collaborative spirit of the international translation community.

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Avigayl Sharp is bad at writing book lists… but will give you a Damn Good Writing syllabus

Avigayl Sharp is bad at writing book lists… but will give you a Damn Good Writing syllabus

Avigayl Sharp is a writer whose fiction has appeared in The Paris Review, Granta, New England Review, and elsewhere. A former writing fellow at the Fine Arts Work Center in Provincetown and an MFA graduate of the Michener Center for Writers, she now makes her debut with Offseason, a novel as intellectually fearless as it is emotionally unflinching.

Offseason, which was longlisted for the 2026 First Novel Prize, follows a fiercely observant yet deeply unreliable narrator teaching at an elite girls’ boarding school, where obsessive lectures, messy entanglements, and unresolved trauma blur the line between memory and self-mythology. By turns darkly funny, provocative, and psychologically incisive, the novel examines the stories we tell ourselves about pain, identity, and whether art or love can ever rewrite the past.

We asked Sharp to answer our recurring My Reading Life Q&A so readers can get to know the books that shaped her life and influenced her writing.

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Hallie Elizabeth Newton on Agnes Lives!, Millennial Despair, and Writing the Messiness of Real Life

Hallie Elizabeth Newton on Agnes Lives!, Millennial Despair, and Writing the Messiness of Real Life

Hallie Elizabeth Newton‘s Agnes Lives! is as stylish as it is unsettling, following a young woman over the course of a single day as she searches for someone willing to kill her. Set in a vividly rendered 2014 New York City, the novel blends biting humor with profound despair, using Agnes’s wandering consciousness to examine privilege, performance, mental illness, and the stories we tell ourselves to survive. It’s a formally daring debut that refuses easy answers while remaining compulsively readable.

I caught up with Newton to discuss writing a novel from the inside out, how screenwriting shaped her approach to fiction, capturing a specific moment in New York’s cultural history, and why embracing life’s messiness became the book’s guiding principle.

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Amy Chozick on With Friends Like You, Cormac McCarthy, and Great Writing

Amy Chozick on With Friends Like You, Cormac McCarthy, and Great Writing

Amy Chozick is a bestselling author, screenwriter, and award-winning journalist whose work has appeared in The New York Times, Vogue, and Vanity Fair. Her debut novel, With Friends Like You, follows a struggling new mother whose obsessive search for her long-lost college roommate draws her into a hidden world of sex work, billionaire escorts, and long-buried secrets. Darkly funny and psychologically sharp, the novel explores friendship, motherhood, identity, and the dangerous line between devotion and obsession.

We asked Chozick to answer our recurring My Reading Life Q&A so readers can get to know the books that shaped her life and influenced her writing.

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The Flayed Man Author Chloe Lauter Reveals the Weird Stories That Made Her a Writer

The Flayed Man Author Chloe Lauter Reveals the Weird Stories That Made Her a Writer

Set against the Mojave Desert and Las Vegas, Chloe Lauter‘s debut novel, The Flayed Man, blends horror, dark fantasy, and family drama into a gripping story of survival and sacrifice. Ellis Karsten spends her days caring for patients in the emergency room and her nights searching for blood to keep her family’s monstrous curse at bay. But when her uncle disappears and her mother’s worsening dementia becomes entangled with terrifying warnings about an ancient creature known as the Flayed Man, Ellis must confront the possibility that the greatest threat to her family is no myth at all.

We asked Lauter to answer our recurring My Reading Life Q&A so readers can get to know the books that shaped her life and influenced her writing.

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Roshan Sethi wrote The Simp almost as if he were rewriting Vanity Fair

Roshan Sethi wrote The Simp almost as if he were rewriting Vanity Fair

Roshan Sethi’s debut, The Simp: A Novel Without a Hero, is a Hollywood satire written in conversation with William Makepeace Thackeray’s Vanity Fair. It follows an aspiring actor into an assistant job from hell with a biting sense of humor, a keen point of view on identity politics, and a bit of hope for any artist creating into the void. If anyone could combine such seemingly disparate elements with confidence and control, it’s Sethi. He’s not just a novelist, he’s a director, screenwriter, and practicing oncologist.

The very busy Sethi made time after working on call at his hospital to speak over the phone about the perils of undergrad creative writing workshops, the trouble with The White Lotus season one, and why he almost exclusively reads the classics.

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Love, Grief, and Hawai’i: Alicia Upano Discusses Her Debut Everything to the Sea

Love, Grief, and Hawai’i: Alicia Upano Discusses Her Debut Everything to the Sea

What happens when one day, one impulsive decision, one declined call is what defines the rest of your life? Alicia Upano‘s debut is a love story, it’s a natural disaster novel, and most of all, it’s a haunting reckoning with the many ways that the people and places we come from stay with us, even as, in the case of Everything to the Sea, they have been swept out to sea.

Following Jane and Kenji from the summer fling of their early twenties, unable to withstand the destruction of their hometown, the novel takes us from the Island of Hawai’i, to O’ahu, to San Francisco, where, years later, the two reconnect as Jane works as an architect and Kenji curates an art exhibit on the tsunami that upended their lives. Upano captures the messiness of first love, the comfort and claustrophobia found in the social ecosystem of island life, and, in spite of how her characters misunderstand each other, finds a way to bring them back to each other, and to the land that made them.

There is a specific comfort in reading a book written to and from the places and people you love most, of seeing the language found in the mouths of your childhood, the smells of the places that raised you, on the page. Everything to the Sea reminds us that even in our worst moments, in the times we are most lost, there are people who are willing, who want, to love us. It took me home. I hope it does the same for you.

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